Haegue Yang
Selected Bibliography

 

Monographs, Artists’ Books and Exhibition Catalogs (chronological-alphabetical)

2017
Hétérotopies. Des avant-gardes dans l’art contemporain,, ed. by Camille Giertler, Lize Braat and Giorgia Passaro, ex. cat. Musées de Strasbourg, Strasbourg 2017, pp. 56-63.

2016
Haegue Yang - An Opaque Wind Park in Six Folds, Serralves Foundation, Porto 2016.
Haegue Yang - An Opaque Wind, Sharjah Art Foundation, Sharjah 2016 (Ara. / Eng.).

2015
13th Lyon Biennale – Modern Life,
ed. by Nicolas Garait, les presses du réel, Dijon 2015, p. 73.
After Babel - Poetry will be Made by All! 89plus,
ed. by Daniel Birnbaum, Ann-Sofi Noring; 89plus: Simon Castets and Hans Ulrich Obrist, Moderna Museet, Stockholm 2015, pp. 132 -137.
Einknicken oder Kante zeigen? Die Kunst der Faltung,
ed. by Amely Deiss, Julia Galandi-Pascual and Simone Schimpf, exh. cat. Museum für konkrete Kunst, Ingolstadt, Kunstraum Alexander Bürkle, Freiburg, Kehrer Verlag Heidelberg Berlin, 2014, pp. 198 -203.
The Malady of Death by Marguerite Duras, ed. by Doryun Chong, Pauline J. Yao and Haegue Yang, exh. cat. M+, West Kowloon Cultural District, Hong Kong 2015 (Chin. / Eng.).
Sharjah Biennial 12 The past, the present, the possible Guidebook, Sharjah Art Foundation, 2015, pp. 18-19 (Eng. / Ara. ).
Shooting the Elephant 象 Thinking the Elephant,
ed. by Leeum, Samsung Museum of Art, Seoul 2015

2014
Man in the Mirror, exh. cat. VanhaerentsArtCollection, Lannoo Publishing, Tielt, Belgium, 2014, p. 97 (Eng.).
Don’t you know who I am?- Art After Identity Politics, exh. cat. Museum van Hedendaagse Kunst Antwerpen, Antwerpen 2014.
Fiber: Sculpture 1960-present, ed. by Jenelle Porter, ex. cat. Institute of Contemporary Art/Boston, Institute of Contemporary Art/Boston and Delmonico Books - Prestel, Boston 2014, pp. 124-129, pp. 244-245.

2013
Dare to Count Phonemes and Graphemes, ed. by Kyla McDonald and Steinar Sekkingstad, exh. cat. Glasgow Sculpture Studios and Bergen Kunsthall, Sternberg Press, Berlin 2013.
Haegue Yang, Der Öffentlichkeit – von den Freunden Haus der Kunst, ed. by Julienne Lorz, ex. cat. Haus der Kunst, Walther König, Cologne 2013.
Haegue Yang – Family of Equivocations, ed. by Camille Giertler and Lize Braat, ex. cat. Musées de Strasbourg, Strasbourg 2013.
Honesty Printed on Modesty, exh. cat. Singapore Tyler Print Institute, Singapore 2013.
Vom Eigensinn der Dinge, ed. by Julia Höner, Julia Schleis, Marion Eisele, exh. cat. KAI 10 Arthena Foundation, Düsseldorf 2013, pp. 78-83, 88.

2012
Dear Aby Warbung What can be done with images?, ed. by Eva Schmidt and Ines Rüttinger, exh. cat. Museum für Gegenwartskunst, Siegen, 2012, pp. 343-351.
dOCUMENTA (13): Catalog I, III: The Book of Books, The Guidebook, ed. by Christov-Bakargiev, Carolyn. et al. exh. cat. 2012 documenta and Museum Fridericianum Veranstaltungs-GmbH, Kassel 2012, Cat. I: p. 724, Cat. III: pp. 376-378.
Haegue Yang: Wild Against Gravity, ed. by Ryan Shafer and Emily Smith, exh. cat. Modern Art Oxford and Aspen Art Museum, Oxford / Aspen 2012.
Marcus Steinweg: Kunst und Philosophie / Art and Philosophie, ed. by Marius Babias, exh. cat. Neuer Berliner Kunstverein, Diskurs, Bd. 7, Berlin 2012, pp. 55, 111.
Sense and Sustainability, ed. By S. L. Hariadna, ex. cat. La Fundación 2012 Fundazioa, pp. 319-325, 2012.

2011
Air Hole: Another Conceptualism from Asia, ed. by Azusa Hashimoto, exh. cat. The National Museum of Art, Osaka 2011 (Jap.).
Berlin 2000-2011. Playing Among the Ruins, ed. by Yasimitsu Takai and Kazuhiko Yoshizaki, exh. cat. Museum of Contemporary Art Tokyo, Tokyo 2011, pp. 82-85
D’un Autre Monde, ed. by Anne Pontégnie and Thierry Leviez, Le Printemps de Septembre – à Toulouse, Toulouse 2011, p.114.
Haegue Yang: Arrivals, Catalogue raisonné 1994-2011, ed. by Yilmaz Dziewior, exh. cat. Kunsthaus Bregenz, Berlin 2011.
Haegue Yang: Integrity of the Insider, ed. by Pamela Johnson, Kathleen McLean, exh. cat. Walker Art Center, Minneapolis 2011.
Haegue Yang: Paper Control, eds. Andria Hickey, Sarah Peters Walker Art Center, Minneapolis, Minnesota, 2011.

2010
Haegue Yang: Voice Over Three, ed. by Samuso and Hyunsilmunwha, exh. cat. Artsonje Center, Seoul 2010 (Kor.).
Haegue Yang: Siblings and Twins, ed. by Melanie Ohnemus, exh. cat. Portikus, Frankfurt am Main 2010.
Squatting. Erinnern, Vergessen, Besetzen, ed. by Tilo Schulz / Jörg van den Berg, Temporäre Kunsthalle Berlin 2010, p. 87.
Urban Origami, ed. by Gaia, Persico, exh. cat. PM Gallery, London 2010, pp. 32-33.
10,000 Lives, ed. by Massimiliano Gioni and Judy Ditner, exh. cat. 8th Gwangju Biennale, Gwangju 2010, pp. 118-119, 472.

2009
Haegue Yang: Condensation, ed. by Eungie Joo, exh. cat. Arts Council Korea, Seoul / Berlin 2009.
Haegue Yang: Melancholy is a Longing for the Absoluteness, ed. by Samuso and Hyunsilmunwha, Seoul 2009 (Kor.).
Haegue Yang: Symmetric Inequality, ed. by Leire Vergara, exh. cat. Sala Rekalde, Bilbao 2009.
Making Worlds, ed. by Daniel Birnbaum and Jochen Volz, exh. cat. La Biennale di Venezia, Marsilio 2009, pp. 122-123.
New Communities, ed. by Nina Möntmann, The Power Plant and Public Access, Toronto 2009.
Your Bright Future: 12 Contemporary Artists From Korea, ed. by Christine Starkman and Lynn Zelevansky, The Museum of Fine Arts, Houston, and Los Angeles County Museum of Art, Los Angeles 2009, pp. 168-177.

2008
50 Moons of Saturn: T2 Torino Triennale, ed. by  Daniel Birnbaum, exh. cat. Castello di Rivoli Museo d’Arte Contemporanea, Fondazione Sandretto Re Rebaudengo and Fondazione Torino Musei, Milano 2009, pp. 300-305.
Eurasia: Dissolvenze geografiche dell' arte, ed. by Achille Bonito Oliva, exh. cat. Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Milano 2008, pp. 178-179.
Falling Right into Place: The Fold in Contemporary Art, ed. by Sylvia Martin, exh. cat. Kunstmuseum Krefeld, Freiburg 2008, pp. 112-119.
Haegue Yang: Asymmetric Equality, ed. by Clara Kim, exh. cat. REDCAT, Sala Rekalde, Los Angeles, Bilbao 2008.
Life on Mars: 55th Carnegie International, ed. by Douglas Fogle, exh. cat. Carnegie Museum of Art, Pittsburgh 2008, pp. 348-353.
Open / Invited e v+ a 2008 – too early for vacation, ed. by Paul M O’Reilly, exh. cat. e v+ a - exhibition of visual art, Cork 2008, pp. 158-161.

2007
Anyang Public Art Project 2007, ed. by Sungwon Kim, exh. cat. Anyang Public Art Project Foundation, Seoul 2007, pp. 242-248.
Brave New Worlds, ed. by Doryun Chong and Yasmil Raymond, exh. cat. Walker Art Center, Minneapolis 2007, pp. 218-225.
Flash Cube, ed. by Henk Slager, exh. cat. Leeum, Samsung Museum of Art, Seoul 2007, pp. 76-77.
Haegue Yang: Community of Absence, ed. by Binna Choi, exh. cat. BAK, basis voor actuele kunst, Utrecht / Frankfurt am Main 2007.
Haegue Yang: Sadong 30, ed. by Hyunjin Kim, exh. cat. Sadong 30, Berlin 2007.
Haegue Yang: Unpacking Storage Piece, ed. by Axel Haubrok, Berlin 2007.
Kunstpreis Böttcherstrasse 2007, ed. by Wulf Herzogenrath, exh. cat. Kunsthalle Bremen, Bremen 2007, pp. 50-55.
Made in Germany, exh. cat., ed. by Kestnergesellschaft, Kunstverein Hannover, Sprengel Museum Hannover, Ostfildern 2007, pp. 282-285.
Micro-Narratives: 48th October Salon, ed. by Lóránd Hegyi, exh. cat. Belgrade Cultural Centre, Belgrade 2007, pp. 76-77.
Political Design, Design of Politics, ed. by Junghae Lee, exh. cat. Zero One Design Centre, Seoul 2007, pp. 89-95 (Kor.).
STADTanSICHTen Seoul: Räume, Menschen, ed. by Institut für Auslandsbeziehungen e. V., exh. cat. ifa-Galerie Stuttgart and Berlin, Stuttgart 2007, pp. 38-41.
Tomorrow, ed. by SAMUSO: space for contemporary art, exh. cat. Artsonje Center, Kumho Museum of Art, Seoul 2007, pp. 164-167.

2006
27a. Bienal de São Paulo: Como Viver Junto, ed. by Lisette Lagnado and Adriano Pedrosa, exh. cat. 27a. Bienal de São Paulo, São Paulo 2006, pp. 412-413.
Lichtkunst aus Kunstlicht;
ed. by Peter Weibel and Gregor Jansen, exh. cat. Zentrum für Kunst und Medientechnologie, Ostfildern 2006.
Personal Affairs: New Forms of Intimacy, ed. by Markus Heinzelmann, exh. cat. Museum Morsbroich, Köln 2006, pp. 160-167.
Pigment, Piano, Marble, ed. by Mandla Reuter, exh. cat. Maipú 327, Buenos Aires / Frankfurt am Main 2006, pp. 122-123.

2004
Black Friday: Exercises in Hermetics, ed. by Christoph Keller, exh. cat. Galerie Kamm, Piet Zwart Institute, Berlin, Rotterdam / Frankfurt am Main 2004.
Chasm: Busan Biennale 2004, ed. by Hwang Hur and Biennale Organising Committee, exh. cat. Busan Metropolitan Art Museum, Busan 2004, pp. 120-121.
MixMax, ed. by Sunjung Kim, exh. cat. Artsonje Center, Seoul, pp. 87-96.
The Pages, ed. by Haegue Yang, Maureen Morren and Daniel van der Velden, exh. cat. Hessisches Landesmuseum, Darmstadt, Frankfurt am Main 2004.
Türme BabylonsHommage an eine Reise, ed. by Nasrin Amirsedghi, exh. cat. Landesmuseum Mainz, Köln 2004, pp. 90-93.

2003
Facing Korea: Korean Contemporary Art 2003, ed. by Henk Slager et al., exh. cat. De Appel Arts Centre, Canvas International Art, Foam, Fotografiemuseum, Instituut voor Mediakunst Amsterdam, Montevideo, Seoul 2003.
From Dust to Dusk: International Exhibition of Contemporary Art, ed. by Pontus Kyander, exh. cat. Kunsthal Charlottenborg, Charlottenborg 2003, pp. 6-19, 100-101.
Hermès Korea Missulsang for Contemporary Korean Art, ed. by Hermès Korea and Artsonje Center, exh. cat. Artsonje Center, Seoul 2003, pp. 41-64.

2002
40 Jahre: Fluxus und die Folgen, ed. by René Block and Regina Bärthel, exh. cat. Wiesbadener Kunstsommer, Wiesbaden 2002, pp. 210-211.
Haegue Yang: Blink
, ed. by Sunjung Kim, exh. cat. Artsonje Center, Seoul 2002.
Haegue Yang: Luft und Wasser, ed. by Isabel Podeschwa, exh. cat. Dresdner Bank, Frankfurt am Main 2002.
Haegue Yang: Industrie und Technik, ed. by Haegue Yang, exh. cat. Mannheimer Kunstverein, Frankfurt am Main 2002.
Manifesta 4: European Biennial of Contemporary Art, ed. by Janneke de Vries, exh. cat., Ostfildern 2002, pp. 76-77.
P_A_U_S_E: Gwangju Biennale 2002, exh. cat., ed. by  Gwangju Biennale Foundation, Gwangju 2002.
Ssamzie Studio 3, exh. cat., ed. by Ssamzie Space, Seoul 2002.

2001
Frankfurter Kreuz: Transformationen des Alltäglichen in der zeitgenössischen Kunst, ed. by Annette Tietenberg, exh. cat. Schirn Kunsthalle, Frankfurt am Main and Ostfildern 2001, pp. 342-347.
Haegue Yang: Sonderfarben, ed. by Haegue Yang, Berlin 2001.
Helga & Goldankauf, ed. by Nevin Aladag, Beate Engl and Alexander Laner, exh. cat. Kunstraum München, München 2001.
Invisible Touch, ed. by Sungwon Kim, exh. cat. Artsonje Center, Seoul 2001.
Lunch Time of Necktie Force, ed. by Yunhee Kim, exh. cat. Posco Art Museum, Seoul 2001.
Tirana Biennale 1: Escape, ed. by Giancarlo Politi, exh. cat. Tirana Biennale, Milano 2001, pp. 464-465.

2000
Art or Design, ed. by Sungjun Kim, exh. cat. Seoul Arts Center, Seoul 2000.
Grid Bloc, ed. by Haegue Yang, Frankfurt am Main 2000.
Week on Two Pages Diary, ed. by Haegue Yang, exh. cat. 1822-Forum, Frankfurter Sparkasse, Frankfurt am Main 2000.
Where I am, ed. by Anabela Costa, Francisco Vaz Fernandes and Câmara Municipal de Lisboa, exh. cat. Galeria Municipal da Mitra, Lissabon / Lisbon 1998, pp. 40-41.

1998
Seoul in Media: Food, Clothing, Shelter, ed. by Youngchul Lee, exh. cat. Seoul Metropolitan Museum of Arts, Seoul 1998.
Stuttgart, 17.7.1956 – Salem (Wis.) / USA, 3.3.1977, ed. by Angelika Nollert, exh. cat. Portikus, Frankfurt am Main 1998.

 

Artistic Contributions (alphabetical)

“A community not of two”, in: The Malady of Death, ed. by Yumi Kang, Seoul 2008.
“Anzeige Total”, in: Strassenfeger, ed. by Andreas Schlaegel, No. 21, October 2003.
“Bathroom Contemplation”, in: How to Write 4, ed. by Barbara Wien and Wilma Lukatsch, Wiens Verlag, Berlin, 2013.
“Bathroom Contemplation”, in: Metronome No. 7. The Bastard, ed. by Clémentine Deliss, London, Paris, Oslo, Copenhagen, Stockholm 2001, pp. 170-178.
“Cittadella under Water”, in: Kaleidoscope, No. 10, Spring 2011, pp. 125-132.
“Collective Writing by Friendly Enemies”, in: Issue 00 Friendly Enemies Madonna Louise Veronica Ciccone, ed. by Jangun Kim, Hyunjin Kim, Jewyo Rhii and Haegue Yang, Seoul 2005.
“Contributions to an Artistic Anthropology”, in: NJP Reader, No. 1, ed. by Youngchul Lee and Henk Slager, Yongin 2010, pp. 58-59.
“Heat in Work”, in: Zeigen: Eine Audiotour durch Berlin, Temporäre Kunsthalle, Berlin 2009.
“Illiterate Leftovers”, in: Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed, ed. by Michalis Pichler, Berlin 2008.
“Landscape of Yenan, a place of encounter to fold, where history gets enfolded and an abstraction finally emerges”, in: Wessen Geschichte, ed. by Yilmaz Dziewior, Köln 2009, pp. 288-301.
“Manifest zur asymmetrischen Unterhaltung über Kunst”, with Peter Lütje, in: Univers, April 2005, ed. by Christian Egger et al., Wien 2005, p. 44.
“Noodle Soup”, in: GAS, No. 001: The Food Issue, curated by Jochen Volz, ed. by Pernille Albrethsen and Jacob Fabricius, Copenhagen 2006, p. 13.
“Ohne Titel”, in: Charley Nr. 1, ed. by Maurizio Cattelan, Bettina Funcke and Massimiliano Gioni, Dijon 2002.
“Poetics of Displacement”, in: Nowiswere Contemporary Art Magazine, No. 9, April 2011, pp. 4-7, 42-45, 64-67.
“Poetics of Displacement”, KUB-Billboards, Kunsthaus Bregenz, Bregenz 2011.
“Quasi MB – In the Middle of its Story”, in: Casco Issues X. The Great Method, ed. by Peio Aguirre and Emily Pethik, Frankfurt am Main 2007, pp. 128-151.
“Quasi MB – In the Middle of its Story”, in: The Copy Book, ed. by Barbara Buchmaier and Stefan Schuster, Berlin 2006.
“Roll Cosies – Cash Register Rolls, 50 Meter”, in: “Flip the Script”, Hochschule für Bildende Künste Hamburg, February 23, 2012.
“Städelschüler stellen sich vor: Haegue Yang”, in: Büchner. Kulturanzeiger, April, 1999, ed. by Werner Ost, Ulla Bayerl, Frankfurt am Main 1999, pp. 10-11.
“Storage Piece”, in: Cork Caucus. On Art, Possibility and Democracy, ed. by Tara Byrne and National Sculpture Factory, Frankfurt am Main 2005, pp. 348-355.
“Suppression and Distraction – The Xerox portrait”, in: the Last Star-Ledger, No. 4, ed. by Max Andrews and Mariana Cánepa Luna, Barcelona / New York 2010 (Cover).
“The Story of a Bear-Lady in a Sand Cave”, in: Animality, Inasthetics, No. 2, ed. by Wilfried Dickhoff and Marcus Steinbeck, Berlin 2011, pp. 155–159.
“The Story of a Bear-Lady in a Sand Cave”, in: The Sand, ed. by Tae-hi Kang, Seoul 2010.
“The Timing of Transaction”, in: supra.doc, ed. by Clémentine Deliss, Santi Erao, Franck Larcade, Hinrich Sachs, San Sebastián 2003.
“Two times chain falls”, in: Vorarlberger Nachrichten, Beilage Kunst erleben und sammeln 07, Beilage der Vorarlberger Nachrichten, January 15/16, 2011.
“Unfolding Places”, in: Report (Not Announcement), ed. by Binna Choi, Frankfurt am Main 2006, pp. 185-194.
“Unknown social study about hidden data”, in: Metronome No. 4-5-6. Backwards Translation, ed. by Clémentine Deliss, Frankfurt, Vienna, Bordeaux, Edinburgh, Biella 1999, pp. ix-xvi.
“Untitled” (2014), in: Abraham Cruzvillegas – autodestruccion4: demolición, ed. by Abraham Cruzvillegas, London 2014, p. 34.
“Untitled” (2010), in: Parabol Art Magazine, No. 5, curated by Yilmaz Dziewior, Wien 2010, pp. 46-47.
“Untitled”, in: Workers Leaving the Workplace, ed. by Joanna Sokolowska and Muzeum Sztuki, Lodz 2010, pp. 218-219.
In: Thank You. Axel Haubrok 60 Jahre, ed. by Axel Haubrok, Berlin 2011, pp. 212-213.
“Heat in Work”, contribution for Stoppage, in the exhibition From 199A to 199B: Liam Gillick, Hessel Museum of Art, New York 2012. Organized byAnnie Larmon.

 

Reference Books (alphabetical)

Berlin Biennale 2001, ed. by Saskia Bos, Köln 2001, pp. 100-101.
Bijutsu Techō, No. 56, April 2004, pp. 220-221 (Jap.).
Correspondences, ed. by Christa Gebert, KURATOR Vol. 2, Zurich 2009, pp. 60-62.
Creamier: Contemporary Art in Culture, curated by Elena Filipovic, Douglas Fogle, Yukie Kamiya, Inés Katzenstein, Chuz Martínez, Kitty Scott, Debra Singer, Adam Szymczyk, Catherine Wood, Tirdad Zolghadr, ed. by Phaidon Press Limited, London 2010, pp. 264-265.
“Drei (und mehr) Arten, Tinte ans Laufen zu Kriegen” in Re-Animationen: Szenen des Auf- und Ablebens in Kunst, Literatur und Geschichtsschreibung, ed. by Ulrike Hanstein et. al., Böhlau Verlag, Cologne 2012, pp. 281-310.
Files, ed. by Museo de Arte Contemporáneo de Castilla y León (MUSAC), Madrid 2004.
Fonds Zur Guten Aussicht, ed. by Annelie Pohlen, Stephan Berg, Verlag für Moderne Kunst, Nürnberg 2011, pp. 246-247.
I am an artist, ed. by Keun-Young Kwon, Semicolon, Seoul 2011, pp. 209-239 (Kor.).
In Search of Bas Jan Ader, ed. by Maike Aden-Schraenen, Logos Verlag Berlin GmbH, Berlin 2013, p. 203.
“Modesty and Honesty”, in: Attention Economy, Jahresring-Jahresbuch für Moderne Kunst, ed. by Brigitte Oetker and Nicolaus Schafhausen, pp. 162-167.
Portikus Under Construction, ed. by Helke Bayerle, Portikus, Frankfurt am Main / Berlin 2009.
Rethinking Contemporary Art and Multicultural Education, ed. by Eungie Joo and Joseph Keehn II, New Museum of Contemporary Art, New York 2011, pp. 229-234.
The Art of Tomorrow, ed. by Laura Hoptman, Yilmaz Dziewior, Uta Grosenick, Distanz, Berlin 2011, pp. 322-325.
Vitamin 3-D: New Perspectives in Sculpture and Installation, London 2009, pp. 328-329.
Wessen Geschichte, ed. by Yilmaz Dziewior, Köln 2009, pp. 288-301.

 

Articles (chronological-alphabetical)

2016
“Alberga cenote en Yucatán un monodrama”, in: Reforma, January 25, 2016.
Lai, Fei, "Haegue Yang: Because Marguerite Duras", in LEAP39 ''My Muse Does All the Work”, May/June 2016, pp.116 (Chn. / Eng.).
Smith, William S., “Haegue Yang at Greene Naftali”, in: Art in America, March 2016.

2015
“When Herman Met Haegue”, Haegue Yang in conversation with Herman Chong, in: ArtReview Asia (Hong Kong special edition), pp. 36-41.
Fischer, Katinka, “Sie treiben es nicht allzu bunt”, in: Frankfurter Allgemeine Zeitung, February 4, 2015, p. 34 (Ger.).
Jung, EnYong, “The Intermediate: After Haegue Ynag”, in: PUBLIC ART, March, 2015, p. 126-127 (Kor.).
Kim, AhMi, “The nomad of our time questions the reasons why we are obsessed with the idea of 'the original'”, in: The Herald Bussiness, February 16, 2015, p. 28 (Kor.).
Kwon, MeeYoo, “Yang Hae-gue on nature, human, community”, in: The Korea Times, February 17, 2015, p. 16.
Kwon, KeunYoung, “Artist Haegue Yang's past and current stepts, on nature, human and community... Revealed at Leeum”, in: Joongang Ilbo, February 10, 2015, p. 23 (Kor.).
No, Hyeongseok, “'Elephants', wandering about within a black hole” , in: The Hankyoreh, February 11, 2015, p. 24 (Kor.).
Rashidi, Yasmine El, “Sharjah Biennial 12: various venues”, in: Artforum, September 2015, p. 375-376.
Son, TackGyun, “Thinking the elephant, dreaming of the restoration of humanity and natures”, in: Donga Daily News, February 10, 2015, p. 29 (Kor.).
Son, YoungOk, “Artist Haegue Yang about the existential strength and weakness”, in: The Kukmin Daily, February 16, 2015, p. 19 (Kor.).

2014
“Art Basel-LISTE, ’Unlimited’ ”, in: ArtReview, Newsletter No54, 2014.
Chenjou, Ouyang, “Search intimacy in material”, in: La Vie Magazine, May 2014, p. 163 (Chinese-Traditional).
Fei, Lai, “Haegue Yang: Discrete Daily”, in: LEAP, January 2014, pp. 25-28 (Chinese).
Golle, Sophie, “Betrug in Gold: Haegue Yang on unrealistic desires”, in: Some Magazine, Issue #7: Home, Spring 2014, Burg Giebichenstein Kunsthochschule Halle, p.41.
Kanai, Miki, “Palpitating in the political history: Haegue Yang’s solo exhibition opens”, in: Bijutsu Techo, February 2014, p. 133 (Jap.).
Kim, Miri, “Connoting veiled social problems through open blinds”, in: Chosun Ilbo, June 20, 2014, p. A20 (Kor.).

2013
“Abraham Cruzvillegas: Interview by Haegue Yang”, in: Bomb, Issue 124, Summer 2013, pp. 114-122.
“Aussenprojekte: Haegue Yang”, in Kunst Bulletin, January 12, 2013.
“Équivoque”, in: Les Saisons d’Alsace, May 2013.
“Explain Your Art: Haegue Yang”, in: TimeOut Magazine Singapore, October 2013, p. 53.
“Exposition - Haegue Yang”, in: Dernières Nouvelles d’Alsace, June 9, 2013.
“Family of Equivocations, Haegue Yang”, in: Artium Luxembourg, June 25, 2013.
“Haegue Yang: The Family of Equivocations”, in: Art in Asia, July August 2013, p.118.
“La poésie du quotidien”, in: Strasbourg Magazine, June 2013.
A.D.C., „Dijon: Le campus inaugure sa nouvelle oeuvre“, in: Le Bien Public, June 2013.
Dirié, Clément, “À Strasbourg, l’Exposition à Double Détente de Haegue Yang”, in: Le Quotidien de l’Art, July 16, 2013, p. 11.
Fronz, Hans-Dieter, “Haegue Yang: Family of Equivocations”, in: Kunstforum, Issue 223, pp. 360-361.
Girieud, Corine, “Equivoques, Haegue Yang”, in: artline Magazine d’Art, July 1, 2013.
Hartmann, Serge, “Haegue Yang en toutes Équivoques”, in: Dernières Nouvelles d’Alsace, June 22, 2013.
Jeffrey, Moira, “Of many things”, in: The Scotsman, December 7, 2013, pp. 22-23.
Jung, Hyungmo, “Spices with history and culture become the art”, in: Joongang Sunday, No. 347, December 3, 2013, pp. 8-13 (Kor.).
Kim, Hyunjin, „Haegue Yang: Sadong 30“, in: Art Asia Pacific, May/June 2013, pp. 156-57.
Kwon, Mee-yoo, “Haegue Yang unravels Diaspora at Haus der Kunst in Munich”, in: The Korea Times, January 7, 2013, Page unknown (Kor.).
Ku, Bonjoon, “Haegue Yang: a hard-working year”, in: Hankyoreh, January 2, 2013, p. 23 (Kor.).
Lesacq, Clémence, “Strasbourg Haegue Yang, la prèmiere exposition”, in: L’Alsace, August 30, 2013.
Loret, Éric, “Haegue Yang, compliment d’objets”, in: Libération, August 23, 2013, p. 22.
Meixner, Christine, “Schreiben wie die Tiere”, in: Tagesspiegel, March, 2013.
Moon, So-young, “Haegue Yang picked for art hall in Munich”, in: Korea Joongang Daily, January 29, 2013, page unknown (Kor.).
Natlacen, Christina, “Lieber Aby Warburg, was tun mit Bildern? Vom Umgang mit fotografischem Material”, in: Camera Austria, Issue 121, March 2013, pp. 75-76.
Ødegàrd, Ann Kristin, “Internasjonal by”, in: Bergensavisen, October 17, 2013.
Pschak, Evelyn,“Wie haben Sie das gemacht, Haegue Yang? ”, in: Monopol, January, 2013, pp. 24-25.
Støren, Bendik, “Radikal ballett I kunsthallen”, in: Bergens Tidende, October 18, 2013.
Rawling, Ashley, Korea, South, Almanac, Volume 8, 2013, p. 141.
Too, Jian-Xing, “Haegue Yang: Aubette 1920/Museé d’Art Moderne et Contemporain Strasbourg”, in: Artforum, November 2013, pp.301-302.
Wolfgang, Ullrich, “Denn Bedeutung schlummert überall”, in: Die Zeit, January 18, 2013.
Vergara, Leire, “Untimely Histories”, in: Afterall, Autumn/Winter issue, 2013, pp. 98-107.
Vogel, Evelyn, “Klipp-Klapp Ritsch-Ratsch” in: SZ-Langkreisaugaben, February 2, 2013
Woo, Junga, “Community of loss: ‘Sadong 30’ of Haegue Yang”, in: Article, Issue 26, September 2013, pp. 40-43 (Kor.).
Yang, Haegue, “Abraham Cruzvillegas: Interview by Haegue Yang”, in: Bomb, Issue 124, Summer 2013, pp. 114-122.
Yusof, Helmi, “Food and spices become her art”, in: The Business Times, November 1, 2013.

2012
“Artists Favourites by Haegue Yang”, in: Spike Art Quarterly, No. 33, September 2012, pp. 30-33.
“La tribu de las ilustres recobradas”, in: El País, February 16, 2012, p. 38.
“Les Resurgences du passe a Kassel”, in: Archistorm, Issue 56, September-October 2012, pp. 129-131.
“Licht und Schatten”, in: SZ Extra, Woche von 8. – 14. November, 2012.
“Sinnige Jalousien”, in: SZ Extra, Woche von 8. – 14. November, 2012.
“Unsere Top Ten”, in: Monopol, June, 2012, p. 49.
“Zwei Künstlerinnen im Dialog”, in: Lübecker Nachrichten, February 21, 2012, p. 30.
Birnbaum, Daniel, "Documenta 13", in: Artforum, October 2012, pp. 254-255.
Danicke, Sandra, “Schläft ein Lied in allen Dingen”, in: art, June, 2012, pp. 32-37.
Go, Misuk, “The activist ‘contemporary art capital’ Kassel holds hands with Korean artist for the first time in 20 years”, in: Donga Daily News, June 11, 2012 (Kor.).
Goo, Bonjun, “Installation artist Haegue Yang’s gains entrance to Kassel with ‘experimental theater’”, in: The Hankyoreh, June 6, 2012 (Kor.).
Gwak, Ah-ram. “Three Korean artists set foot in Kassel for the first time in twenty years”, in: The Chosun Ilbo Daily News, June 5, 2012 (Kor.).
Gwon, Geunyoung, “Black columns of blinds critique totalitarianism that dominated 20th century”, in: Joongang Ilbo, June 11, 2012 (Kor.).
Han, Eunju, “The space interpreted with the everyday objects”, in: Space, October, 2012, pp. 90-97 (Kor.).
Jacobson, Heidi Zuckerman, “Haegue Yang - Domestification”, in: Flash Art, January-February, 2012, pp. 96-98.
Kim, Chang-gil, “Artist hopes to capture collective memory of modernization with her blinds installation in Kassel Central Station”, in: The Kyunghyang Daily News, June 5, 2012 (Kor.).
Kim, Sylbee, “Production Report: The Malady of Death by Haegue Yang”, in: Art in Culture, October, 2012, pp. 152-154 (Kor.).
Lee, Youngrahn, “Haegue Yang aims at the heart of contemporary art world in Kassel”, in: Korea Herald Business, June 12, 2012 (Kor.).
Loret, Eric “Haegue Yang, concept stores”, in: Liberation, 6 November 2012, p. 29.
Marcus, Daniel, “Printemps de Septembre”, in: Artforum, January 2012, p. 215.
O’Rielly, Sally, “Actions Speak Louder”, in: Tate Etc., Issue 25, Summer 2012, p. 69-71
Pencenat, Corine, “Haegue Yang”, in: Artpress, October 1, 2013.
Rosenberg, Karen, “Art in Review: Haegue Yang”, in: The New York Times, March 16, 2012, p. 30
Schöttle, Rüdiger, “Die Woche von Rüdiger Schöttle,” in: SZ Extra, 8-14 November, 2012. Sönmez, Necmi.
Sönmez, Necmi, “Haegue Yang: These ideas haunt those living in current neo-liberal societies just as they did in the past.”, in: Sanat Dünyamiz, issue 130, 2012.
Sonna, von Birgit, “Gefühlsimplosionen: Die Koreanerin Haegue Yang, Star der Documenta 13, macht Kunst aus dem Dilemma des Verlusts”, in: Cicero, July 2012.
Suh, Jung-im, “Art world’s attention turns to Germany”, in: The Kyunghyang Daily News, June 11, 2012 (Kor.).
Weber, Grit, “Haegue Yang – Auf den Leib geschneiderte Geometrie”, in: Kunst Bulletin (Presse de Suisse), September 1, 2013.

2011
“Austellung: Yangs Hang zu Jalousien – Konzeptkünstlerin Haegue Yang im Kunsthaus Bregenz”, in: Kultur, No. 1, February 2011, pp. 14-16
“Ein universals Lächeln auf den Lippen”, in: Die Furche, January 27, 2011, pp.20-21.
“Haegue Yang”, in: Misulsidae, March 2011, pp. 70-71 (Kor.).
“Haegue Yang – another important step forward: A major solo exhibition in Kunsthaus Bregenz, Austria”, in: Yonhap News Agency, January 23, 2011 (Kor.).
“Haegue Yang: Series of Vulnerable Arrangements – Voice and Wind”, in: Culture Ocean, November 11, 2011, p. 97.
“Haegue Yang: The Art and Technique of Folding the Land”, in: ArtnMap, August 2011, p. 1 (Kor.).
“Hippies aus Kabeln, Schellen und Glühbirnen”, in: Zofinger Tagblatt, February 16, 2011, p. 40.
“Kunstzauber-Haegue Yang: Arrivals”, in: NZZamStonntag, February 27, 2011, p. 77.
“Sitz-Tische und Berrgnebel”, in: Neue Zürcher Zeitung, February 19, 2011, p. 58.
Article Editors, “Interview with Haegue Yang: The voice for art”, in: Article, August 2011, pp. 68-85.
Badrutt, Ursula, “Haegue Yang, <Arrivals>”, in: Kunst Bulletin, March 1, 2011, p. 68.
Chateigné, Yann, “Haegue Yang – Kunsthaus Bregenz”, in: Frieze, No. 139, May 2011, p. 126.
Cho, YoonJoo, “Thoughts to forms, finally, abstraction: artist, Yang Haegue”, in: Of K, December, 2011, pp. 200-206 (Kor.).
Chong, Doryun, “Movement studies”, in: Parkett, No. 89, 2011, pp. 66-73.
Culture Ocean Editors, “Haegue Yang: Series of Vulnerable Arrangements – Voice and Wind”, in: Culture Ocean, November 11, 2011, p. 97 (Kor.).
Durham, Jimmie, Yang, Haegue, “We can get there!”, in: Parkett, No. 89, 2011, pp. 80-92.
Egami, Yuka, “Dangerous 9 companies deviating from the definitions”, in: The Mainichi Newspapers, May 18, 2011, p. 7 (Jap.).
Faguet, Michèle, “Haegue Yang: Arrivals”, in: Artforum International, January 2011, p. 109.
Fehle, Veronika, “„Groß kotzig“ geht das Licht an”, in: Vorarlberger Nachrichten, January 21, 2011, p. 13-14.
Fiduccia, Joanna, “New skin for the old ceremony”, in: Kaleidoscope, No. 10, spring2011, pp. 120-124.
Fujita, Kazuto, “The gentle breeze of faultless criticism”, in: The Komei Shinbun, May 25, 2011, p. 5 (Jap.).
Gravagnuolo, Emma, “Machine della memoria”, in: Arte, January 2011, pp. 100-103.
Grohe, Ingrid, “33 Lichtskulpturen”, in: Ausburger Allgemeine, January 22, 2011, p. 11.
van der Heide, Bart, “The whiteness of meaning”, in: Kaleidoscope, No. 10, spring2011, pp. 114-119.
Hohmann, Silke, “Schatten-Boxen”, in: Monopol, No. 1, January 2011, pp. 58-65.
Huh, Junghyun, “Folding and Unfolding make Invention and Art”, in: Metro Seoul, June 15, 2011, p. 36 (Kor.).
Jäger, Ralmund, “Lichtlabyrinthe und Denkansätze”, Feldkircher Anzeiger, February 27, 2011, p. 20.
Jung, Haeyeon, “Prominent Artist Haegue Yang under the spotlight of International Art World, Haegue Yang’s ARRIVALS opens at Kunsthaus Bregenz, Austria: January 22 – April 3”, in CNB News, January 31, 2011 (Kor.).
Kim, Miri, “Unfold your ideas”, in The Chosun Ilbo, June 11, 2011, p. 22 (Kor.).
Kimura, Eriko, “Another accomplice”, in: Bijutsu Techo, June 1, 2011, pp. 206-207 (Jap.).
Kölgen, Birgit, “Verwandelt: So wird ein Ding zum Kunstwerk”, in: Schwäbische Zeitung, January 21, 2011.
Kollros, Petra, “Plötzlich duftet es nach Gras”, in: Südwest Presse, January 24, 2011, p. 23.
Kunitz, Daniel, “Haegue Yang”, in: Modern Painters, November 2011, p. 83.
Kwon, Geunyoung, “Haegue Yang:  Nomadic conceptual artist”, in: Joongang Ilbo, August 18, 2011, pp. 17-18 (Kor.).
Lee, Hyanghyee, “Haegue Yang, Installation Artist in Germany”, in: Maeil Business Newspaper, August 13, 2011, p. A24 (Kor.).
Lind, Maria, “High Performance: Haegue Yang and Ibon Aranberri take their oeuvres for a test drive”, in: ArtReview, April, 2011, p. 40.
Mattivi, Johannes, “Phantasien aus Licht und Mateiral: Haegue-Yang – Ausstellung im KUB”, in: Volksblatt, January 21, 2011, p. 23.
Moon, Jiyoon, “The politics of objects”, in Article, August 2011, pp. 86-89 (Kor.).
Oh, Yuri, “Nomad Self”, in: Heren, October 2011, pp. 434-435 (Kor.).
Oriana, Subarcia, “An attempt to visualize the relations to society”, in: The Osaka Daily Shinbun, May 3, 2011, p. 9 (Jap.).
Ölz, Wolfgang, “Aus Liebe zu den Jalousien”, in: Salzburger Nachrichten, January 25, 2011, p. 10.
Park, Minyoung: “Planting artist’s thoughts in major museums”, in: The Korean Herald, November 11, 2011, p. 16.
Park, Sun-young, “Star Korean artist shows off her ‘moves’ in England”, in: Korea JoongAng Daily, June 30, 2011, p. 12.
Pyeon, Wan-shik, “Primitivism and civilization, conveyed by Sacre du Printemps and light sculptures; Korean contemporary artist Haegue Yang’s first solo exhibition in Austria takes place at Kunsthaus Bregenz”, in: The Segye Times, 25. January 25, 2011 (Kor.).
Raymond, Yasmil, “Material agony: interview with Haegue Yang”, in: Kaleidoscope, No. 10, spring 2011, pp. 133-137.
Ruppert, Herald, “Totems des Ramschzeitalters”, in: Südkurier, February 5, 2011, p. 34.
Schoch, Ursula, “Das Glück nicht verlieren”, in: Thurgauer Zeitung, January 26, 2011, p. 11.
Szcesniak, Paulina, “Zwischen Hochlanz und Brockenstube”, in: Tages Anzeiger,March 7, 2011, p. 29.
Shin, Semi, “Young maestro Haegue Yang’s extraordinary presentation, a dazzling exhibition at the prominent Austrian institution, Kunsthaus Bregenz”, in: Munhwa Ilbo, January 25, 2011 (Kor.).
Shin, Semi, “Focusing on a rising Asian artist, a distinctive perspective emerges in the contemporary art world”, in: Munhwa Ilbo, January 25, 2011 (Kor.).
Tzotzi, Elena, “Elena Tzotzi diskuterar konstnären Haegue Yangs verk”, in: Paletten, No. 283, 2011, pp. 20-27.
Vahland, Kia, “Es leben die Kleiderständer”, in: Süddeutsche Zeitung, Februar 3, 2011, p. 13.
Vishmidt, Marina, “Still I have to write to hide writing”, in: Parkett, No. 89, 2011, pp. 102-110.
Voelker, Sven, “Und dann war alles elektrifiziert”, in: Some Magazine – Electric, September 2011, pp. 8-16.

2010
“Haegue Yang”, in: Misulsidae, November 2010, p. 63 (Kor.).
“Haegue Yang”,in: ArtAsiaPacific, November-December 2010, p. 130.
Choi, Binna, “Interview with Haegue Yang”, in: Conversation Pieces: If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, Winter 2010/2011.
Choi, Jini, “Conceptual art takes aim at viewer’s emotions”, in: Space, November 2010, pp. 112-117 (Kor.).
Finkel, Jori, “Bringing storage to the spotlight”, in: Art News, March 2010, pp. 66-69.
Faguet, Michèle, “Questions of style”, in: Artforum International, September 2010, pp. 266.
Han, Hyunjeong, “The subjectivity that life as a stranger bears”, in: Weekly Kyunghyang, September 14, 2010 (Kor.).
Kim, Jiwon, “Couches and beds know what humans are”, in: Hankook Ilbo, July 19, 2010 (Kor.).
Kim, Jiwon, “Light, wind, scent and voice simultaneously stimulate our senses”, in: The Korea Economic Daily, August 23, 2010 (Kor.).
Kee, Joan, “Haegue Yang: Walker Art Center, Minneapolis”, in: Artforum International, April 2010, p. 191.
Kim, Kyoung Eun, “Voice, light, temperature and wind address our senses”, in: The Chosunilbo Daily, August 24, 2010, (Kor.).
Koh, Doohyun, “My work will die out once it will try to please the public… yet believe in eventual communication”, in: The Korea Economic Daily, July 31, 2010, (Kor.).
Lee, Dae-bum, “Voices of individual subjects”, in: Space, November 2010, pp. 110-111 (Kor.).
Lee, Kwanghyun, “Conversations with the material are crucial”, in: The Kukmin Daily, August 21, 2010 (Kor.).
Lee, Soon-Nyeo, “Haegue Yang’s installation works in Voice Over Three: Message of life, consisting of ordinary everyday objects such as cables, drying racks, mirrors”, in: The Seoul Daily Newspaper, August 23, 2010 (Kor.).
Lee, Sunyoung, “Events among art, products and objects”, in: Contemporary Art, Winter 2010 (Kor.), pp. 76-79.
Lim, Young-Joo, “Berlin based artist Haegue Yang’s solo show Voice Over Three: awakening the senses in an interaction between viewers and works”, in: The Kyunghyang Daily News, August 27, 2010 (Kor.).
Moon, So-young, “Sound, color collide in exhibit joining artist, audience”, in: JoongAng Daily, August 25, 2010.
Park, Woojin, “An obsessive translation of nomadism”, in: Weekly Hankook, September 7, 2010 (Kor.).
Pyeon, Wan-shik, “Art sinks into ‘the ocean of stories”, in: The Segye Times, August 24, 2010 (Kor.).
Rawlings, Ashley, “Five plus one: Haegue Yang”,in: ArtAsiaPacific Almanac 2010, p. 70.
Roh, Hyungseok, “Haegue Yang at Art Basel-Unlimited – Pleased to be accepted despite the unfamiliarity”, in: The Hankyoreh, June 18, 2010 (Kor.).
Roh, Hyngseok, “A ‘microcosm’ opened through a nomadic sensitivity – Images of nomadism contained in Korean and German urban landscapes”, in: The Hankyoreh, September 8, 2010 (Kor.).
Scuderi, Massimiliano, “Haegue Yang: Composizioni Vulnerabili”, in: Arte e Critica, No. 62, March-May 2010, pp. 54-57.
Seo, Hyunseok, “Ethnography for a site-specific identity”, in: Art in Culture, October 2010, pp. 78-82 (Kor.).
Shin, Semi, “‘Seoul Guts‘, conveyed by light bulbs hung from clothing racks”, in: Munhwa Ilbo, August 24, 2010 (Kor.).
Soutar, Ian, “Uneasy world of Haegue Yang”, in: Sheffield Telgraph, April 22, 2010.
Yoo, Joohyun, “Duras, ambiguous and never compromising author, to whom an affinity is felt”, in: JoongAng Sunday, August 29-30, 2010 (Kor.).

2009
“Haegue Yang at Venice Biennale”, in: Art in Culture, June 2009 (Kor.).
“The Korean Pavilion at the Venice Biennale is this year in the hands of two women”, in: Monthly Art Magazine, No. 288, January 2009, p. 156 (Kor.).
Boecker, Susanne and Michael Hübl, “Republik Korea, Südkorea: Haegue Yang – Condensation”, in: Kunstforum International, No. 198, August-September 2009, pp. 298-299.
Chang, Seungyeon, “Dialogue is the basis for the preparations for Korean Pavilion”, in: Art in Culture, January 2009, pp. 38-40 (Kor.).
Chong, Doryun, “Haegue Yang: A written introduction of self-quotations and free associations”, in: Monthly Art, September 2009, pp. 114-125 (Kor.).
Garcia, Cathy Rose A, “Yang Hae-gue to present work at Venice”, in: The Korea Times, May 19, 2009.
Han, Yunjeong, “The condensation of differences and barriers is dissolved into the work”, in: The Kyunghyang Daily News, 5. June 5, 2009 (Kor.).
Han, Yunjeong, “Making ‘new‘ Worlds focus on Korean artists”, in: The Kyunghyang Daily News, June 5, 2009 (Kor.).
Haq, Nav, “Universal Homeless: interview with Haegue Yang”, in: Concept Store, No. 2: Possible, Probable and Preferable Futures, ed. by Geoff Cox, Nav Haq and Tom Trevor, Autumn 2009.
Hinrichsen, Jens, “Die Konzeptkünstlerin Haegue Yang liebt Jalousien – auf Englisch, Venetian Blinds”, in: Monopol, No. 6, June 2009, pp. 56-57.
Hoog, Eckhard, “Pop UP! Wie Blüten soll die Kunst aufblühen”, in: Aachener Zeitung, April 2, 2009.
Jeong, Hyungmo, “Haegue Yang speaks for Korea through light, sound and scent”, in: JoongAng Ilbo, June 6, 2009 (Kor.).
Kang, Insun, “I see life every time I arrive in Ahyun-dong”, in: The Chosunilbo Daily, March 7, 2009 (Kor.).
Kim, Clara, “Vulnerability for an exploration”, in: Art in Asia, May-June 2009, pp. 44-45.
Kim, Hokyung, “Traces of nameless neighbors”, in: The Kukmin Daily, June 6, 2009 (Kor.).
Kim, Jihee, “Works placed behind the glass façade, leaving it as it is”, in: The Segye Times, June 6, 2009 (Kor.).
Kim, Jiwon, “Changing lights become part of the piece, overcoming spatial restrictions”, in: Hankook Ilbo, June 6, 2009 (Kor.).
Kim, Sunjung, “This ‘neo-nomad‘ has the whole world as her stage”, in: JoongAng Ilbo,  March 9, 20Kor09, pp. 56-57 (.).
Luke, Ben, MacDonald, Vici and Anny Shaw, “The 53rd Venice Biennale: a user’s guide”, in: Art World, August-September 2009, p. 105.
Masters, HG, “Haegue Yang: a strange kind of optimism”, in: ArtAsiaPacific, No. 63,  May-June 2009, pp. 108-113.
Moon, Soyoung, “Condensed spaces speak of communication”, in: The Seoul Shinmun,  June 6, 2009 (Kor.).
Raymond, Yasmil, “Haegue Yang”, in: Domus, No. 922, February 2009, pp. 124-128.
Seungyeon Jang, “Communication is the basis, preparing the exhibition at the Korean Pavilion”, in: Art in Culture, January 2009, pp. 38-40 (Kor.).
West, Kevin, “Haegue Yang”, in: W Magazine, November 2009.
Valdez, Sarah, “Peninsula View”, in: Art in America, November 2009.
Whitman-Salkin, Leah, “Haegue Yang: meeting in the middle”, in: Kaleidoscope, November-December 2009, p. 38.
Woo, Jung-Ah, “Haegue Yang: in pursuit of a marginal space”, in: C-Arts, vol. 9, July-August 2009, pp. 18-20.

2008
Berro, Irune, “Mugan, erretratu abstrktuak”, in: Berria, December 19, 2008.
Chong, Doryun, “Working practice: a different slant of light”, in: Modern Painters, No. 9, September 2008, pp. 58-59.
Gronlund, Melissa, “Haegue Yang: Lethal Love”, in: Art Monthly, No. 315, April 2008, pp. 29-30.
Heffley, Lynne, “Artist Haegue Yang at Redcat”, in: Los Angeles Time, July 16, 2008.
Hernández, Edgar, “La posibilidad de nuevos mundos”, in: Excelsior, April 25, 2008.
Kim, Jiwon, “Women predominate Korean Pavilion, Venice: interview with Haegue Yang and Eungie Joo”, in: Hankook Ilbo, December 24, 2008 (Kor.).
Kim, Soohye, “Loneliness and isolation are the basis of my work”, in: The Chosunilbo Daily, December 24, 2008 (Kor.).
Koh, Misuk, “A stranger’s solitude is the basis of my work”, in: Dong-A Ilbo,  December 24, 2008 (Kor.).
Krause-Wahl, Antje, “Beziehungskisten”, in: Texte zur Kunst, No. 71, September 2008, pp. 220-221. (Germ.).
Kunitz, Daniel, “Haegue Yang”, in: Modern Painters, November 2011, p. 83.
Kwon, Geunyoung, “The ‘nomad artist‘ enters Venice Biennale”, in: JoongAng Ilbo, December 24, 2008 (Kor.).
Lamparth, Birgitta, “Alice wird im Briefraum verlassen”, in: Wiesbadener Tagblatt, March 1, 2008.
Lim, Jong-up, “Everyone is full of sorrow, leading to their understanding of each other”, in: The Hankyoreh, December 24, 2008 (Kor.).
Medina, Cuauhtémoc, “Turista de tiempo completo”, in: Reforma, April 30, 2008.
Micucci, Dana, “Carnegie Museum, in Pittsburgh, shows contemporary art’s ‘old masters of tomorrow’”, in: Herald Tribune, May 30, 2008.
Milliart, Coline, “Haegue Yang: Cubitt”, in: Modern Painters, May 20, 2008, p. 93.
Min, Byungkyo, “Sensitive criticism included in an unusual familiarity: interview with Haegue Yang”, in: Artrade, January 2008, Vol. 02, pp. 100-103 (Kor.).
Moreno, Concepción, “Mundos nuevos, mundos diversos”, in: El Economista, April 25, 2008.
Mummenhof, Julia, “Am Ende kommen die Touristen”, in: Szene Hamburg, No. 2, Februar 2008, p. 67.
Park, Min-young, “Yang Haegue to represent Korea in Venice”, in: The Korea Herald, December 31, 2008.
Pethick, Emily, “Anyang Public Art Project”, in: Frieze, No. 112, January-February 2008, pp. 177-178.
De la Rosa, Tamara, “Inventores de nuevos espacios”, in: Deia, December 19, 2008.
Schütte, Christoph, “Der Lücke eine Form geben”, in: Art Kaleidoscope, April-June 2008, pp. 14-16.
Schütte, Christoph, “Beziehungsmuster”, in: Frankfurter Allgemeine Sonntagszeitung, May, 2008.
Schütte, Christoph, “Zeitliches Obdach gesucht”, in: Frankfurter Allgemeine Zeitung, April 9, 2008.
Yun, Minyong, “We will focus on revealing the variety of Korean artists’ activity”, The Kyunghyang Daily News,  December 24, 2008 (Kor.).

2007
Behm, Meike, “Haegue Yang”, in: Artist Kunstmagazin, No. 73, April 2007, pp. 28-33.
Cerizza, Luca, “Berlin Studio Visits: Haegue Yang”, in: Mousse, Issue 10, September 2007, pp. 102-103.
Chong, Doryun, “Eco-Motion: interview with Haegue Yang”, in: Uovo, No. 14, July-September 2007, pp. 194-219.
Fox, Dan, “Imagine Action”, in: Frieze, No. 110, October 2007, pp. 177-178.
Kim, Seung-duk, “Focus South Korea: changing times”, in: Flash Art, No. 255, July-September 2007, pp. 90-94.
Mania, Astrid, “Haegue Yang: Remote Room”, in: Art Review, No. 14, September 2007, p. 132.
Marzluf, Arnulf, “Zeichen und Zeichnungen unserer Zeit”, in: Weser-Kurier, April 14, 2007.
Rieger, Birgit,  “Frei unter Fremden”, in: Zitty, September 2007, p. 50.
Schlaegel, Andreas, “Unpacking Storage Piece”, in: Spike Art Quarterly, No. 14, Winter 2007, pp. 103-104.
Voltz, Aurélie, “Haegue Yang: Remote Room”, in: Flash Art, No. 255, July-September 2007, p. 129.

2006
Choi, Binna and Haegue Yang, “Community of Absence: Conversation with Haegue Yang”, in: Unevenly, Newsletter #2, 2006.
Hwang, You-mee, “Neither here nor there: artists reflect on ‘non-place’”, in: The Korea Herald, July 15, 2006.
Kim, Hyunjin, “Community of people who have not the community”, in: Art in Culture, June 2006, p. 73 (Kor.).
Kim, Jangun, “Delays in life”, in: Art in Culture, October 2006, pp. 77-79 (Kor.).
Roh, Hyungsuk, “Deserted house: memory’s space captured in time”, in: The Hankyoreh, August 22, 2006 (Kor.).
Oh, Mihwan, “Solo exhibition of Haegue Yang: extraordinary exhibition in a deserted house”, in: The Korea Times,  August 20, 2006.
Pethick, Emily, “Fog machines, scent dispensers, and origami: sci-fi tower blocks and urban detritus”, in: Frieze, No. 103, November-December 2006, p. 144.
Schlaegel, Andreas, “Neue Berliner Funky – Combining sculptural vocation with subversive conceptual strategies”, in: Flash Art, March-April 2006, pp. 72-76.

2005
Choi, Binna, “‘Kasse, Shop, Kino and Weiteres’ at Landesmuseum in Darmstadt: sentimental road movie, resembles social contemplation”, in: Art in Culture, March 2005, pp. 134-135 (Kor.).
Danicke, Sandra, “Haegue Yang”, in: Art Kaleidoscope, May-August 2005, pp. 6-9.
Löchel, Tanja, “Aufgemalte Bärte und Brillen für willige Besucher”, in: Gießener Anzeiger, April 5, 2005.
Werneburg, Brigitte, “Kindersprüche und Katzenmassaker”, in: die tageszeitung, October 1, 2005.

2004
“Schwellenangst”, in: die tageszeitung, April 28, 2004.
Hohmann, Silke, “Orientierung: Haegue Yang’s ordnende Eingriffe im Landesmuseum Darmstadt”, in: Frankfurter Rundschau, October 27, 2004.
Joohyun Lee, “Open nomads, separately and together”, in: The Hankyoreh21, April 26, 2004, pp. 54-55 (Kor.). 
Kim, Hyunjin, “An allegory of Relational Irrelevance”, in: Art in Culture, No. 5, May 2004, p. 120 (Kor.).
Kim, Jangun, “Art, society, and context: interview with Haegue Yang”, in: Forum A, July 2004, pp. 15-21. (Kor.)
Kim, Jangun, “Accidental rhetoric and beyond it”, in: Space, May 2004, pp. 178-185.
Krämer-Alig, Annette, “Ich biete Momente an”, in: Darmstädter Echo, October 2004, p. 9.
Kuni, Verena, “Füsse im Dreck, Kopf im Himmel: Haegue Yangs produktiver Umgang mit Missverständnissen”, in: Kunst-Bulletin, No. 5, May 2004, pp. 28-31.
Verhagen, Marcus, “Haegue Yang: Storage Piece”, in: Future, Summer 2004, p. 4.
Yoo, Jinsang, “Fiction, people who have departed and people who have not departed yet”, in: Art in Culture, No. 5, November 2004, pp. 52-53 (Kor.).
Yoo, Jinsang, “Chasm, it fell into the chasm of metatext”, in: Art in Culture, No. 5, September 2004, pp. 70-74 (Kor.).

2003
Baek, Jisook, “Approaching the center: understanding and misunderstanding”, in: Art in Culture, No. 4, October 2003, pp. 100-105 (Kor.).
Birnbaum, Daniel, “First take: Daniel Birnbaum on Haegue Yang”, in: Artforum International, No. 41, January 2003, p. 123.
Kim, Hyunjin, “Interview with Haegue Yang”, in: Monthly Vampire, 2003, pp. 11-21.

2002
Lee, Youngjun, “Blink as not a blink and its negation and dislocation”, in: Art in Culture, No. 3, April 2002, pp. 62-65 (Kor.).

2001
"Auf Entdeckungsreise gehen”, in: Rhein Main Presse, July 14, 2001, p. 9.
“Lucie Beppler und Haegue Yang ausgezeichnet”, in: Frankfurter Rundschau, September 29, 2001, p. 30.
“Merian-Preis an Deutsche und Koreanerin“, in: Lübecker Nachrichten, Kultur 19.
Bogenschütz, Dorothee Baer, “Auch die BBC inspiriert”, in: Frankfurter Rundschau, December 21, 2001.
Danicke, Sandra, “Abenteuer-Möbel”, in: Frankfurter Rundschau, August 11, 2001.
Klaue, Magnus, “Der Straßenrand als Biotop”, in: Frankfurter Allgemeine Zeitung, December 31, 2001.
Klaue, Magnus, “Was wir gerne zu Hause hätten”, in: Frankfurter Allgemeine Zeitung, December 10, 2001.
Krämer-Alig, Annette, “Kunst zwischen den Kulturen”, in: Darmstädter Echo, January 2001, p. 29.
Scherer, Sigrid, “Zertrümmertes Hotelzimmer und filigrane Linien”, in: Frankfurter Allgemeine Zeitung Kultur, February 24, 2001.

 

Web (chronological)

2015
“Haegue Yang: Shooting the Elephant 象 Thinking the Elephant at Leeum, Samsung Museum of Art”, on: OCULA, March 2, 2015.
D. Shea, Christopher, “What’s On This Week Around the World”, on: The New York Times, Febuary 6, 2015.
Haq, Nav, “Decolonising Museums“, on: L’Internationale Online, 2015.
Hwang, BoSun, “Straw-built temples by the nomad Haegue Yang”, on: YTN, February 20, 2015 (Kor.).
Judah, Hettie “ArtReview Asia selects ten Spring shows you don't want to miss”, on: ArtReview Asia, Spring 2015.
Lesturgie, Gauthier, “From This Deep and Powerful Sculpture Emerged This Mask: Reading Haegue Yang Through Victor Hugo”, on: Momus, September 8, 2015.
Woo, Jung-Ah, “Critic’s Pick: Haegue Yang”, on: artforum.com, March, 2015.

2014
Kim, Miri, “Connoting veiled social problems through open blinds”, on: Chosun Ilbo, June 20, 2014 (Kor.).
Dickie, Anna, “An Ocula Conversation with Haegue Yang”, on: ocula.com, September 4. 2014.

2013
Amazeen, Lauren Dyer, “500 WORDS: Haegue Yang”, on: artforum.com, October 21, 2013.
Hoberman, Mara, “Haegue Yang’s “Ovals and Circles””, on: Art Agenda, April 17, 2013.
Loret, Eric, “Haegue Yang, Compliment d’Objets”, on: liberation.fr, August 29, 2013.
Masters, H.G., “Family of Equivocations: Haegue Yang”, on: artasiapacific.com, July 18, 2013.
Schlaegel, Andreas, “Ten Questions: Haegue Yang”, on: Kunstkritikk.no, October 16, 2013.
Tsai, Sylvia, “Singapore Biennale 2013: Parallel Event Openings”, on: artasiapacific.com, October 24, 2013.

2012
“Focus: Haegue Yang's Dress Vehicles”, on: tate.org.uk, 21 September 2012.
Baker, Allese Thomson, “Haegue Yang: Greene Naftali Gallery,” on: artforum.com.
Gwak, Ah-ram, “Oil Tank full of art”, on: http://news.chosun.com, July 17, 2012 (Kor.).
Hill, Wes, “Rivane Neuenschwander & Haegue Yang,” on: frieze-magazin.de, Summer 2012.
Lorenz, Susanne, “Der Öffentlichkeit - eine Raumskulptur”, on: br.de, November 11, 2012.
Interview with Haegue Yang, “The Tanks: Haegue Yang”, on: tate.org.uk, 21 September 2012.
Hill, Wes, “Rivane Neuenschwander & Haegue Yang,” on: frieze-magazin.de, Summer 2012.
Baker, Allese Thomson, “Haegue Yang: Greene Naftali Gallery,” on: artforum.com.
Büsing, Nicole and Heiko Klass, “Haegue Yang und Rivane Neuenschwander in Lübeck,” on: www.monopol-magazin.de, March 2, 2012.

2011
“Haegue Yang – 2011 Art Basel Miami Beach Special Exhibition”, on: akive.org, December 2011.
Pataczek, Anna. “Eine philosophische Ausstellung im NBK,” on: www.tagesspiegel.de, October 9, 2011.
Park, Hyunjoo, “Kukje Gallery Artist Haegue Yang’s Special Exhibition on Miami Beach”, on: ajnews.co.kr, November 29, 2011 (Kor.).
Wang, Jin-O, “Haegue Yang’s exhibition ‘Two Winters’ at Art Basel Miami”, on cnbnew.com, November 28, 2011 (Kor.).
Gah-In Goo, “Apartment Art… Apartment wears Art”, on: The Dong-A Ilbo, on: donga.com, November 15, 2011 (Kor.).
Daily Culture Ocean Editors, “Haegue Yang: Series of Vulnerable Arrangements – Voice and Wind”, on: Daily Culture Ocean, October 17, 2011 (Kor.).
Wang, Jin-O, “Series of Vulnerable Arrangements – Voice and Wind”, on: CNB News, October 17, 2011 (Kor.).
Glen, Colin, “The Sea Wall: Haegue Yang with an inclusion by Felix Gonzalez-Torres”, on: Other Criteria, August 17, 2011.
“The Sea Wall: A news report from Bristol”, on: Domus, July 30, 2011.
Crow, Kelly, “Giving the Humdrum Its Glory,” on: The Wall Street Journal (online.wsj.com), July 30, 2011.
Park, Hyunjoo, “Haegue Yang, a solo show ‘The Art and Technique of Folding the Land’ in Aspen Art Museum, USA”, on: Aju Business, July 25, 2011 (Kor.).
Wang, Jin-O, “Haegue Yang presents fantastical methods of moving between the East and the West in the US”, on: CNB News, July 23, 2011 (Kor.).
Park, Hyunjoo, “Intriguing conceptual artist Haegue Yang continues to exhibit her works in Britain”, on: Aju Business, July 8, 2011 (Kor.).
Park, Gihoon, “Haegue Yang: 'Two person show – The Sea Wall' at Arnolfini, UK”, on: Artsnews, July 8, 2011 (Kor.).
Newell, Hannah, “Living in Postponement: ‘Teacher of Dance’ – Haegue Yang at Modern Art Oxford”, on: ArtSelector, June 30, 2011.
“Arrivals: Haegue Yang’s solo exhibition in Kunsthaus Bregenz”, on: The Herald Business, January 18, 2011 (Kor.).
Yoon, Younghwan, “Haegue Yang, first solo show in Austria”, on: ajnews.co.kr, The Asia Business, January 12, 2011 (Kor.).
Hwang, Hee-kyung, “Haegue Yang opens her solo exhibition at Kunsthaus Bregenz, Austria”, on: Yonhap News Agency, January 7, 2011 (Kor.).
Hwang, Hee-kyung, “Haegue Yang, another significant artistic leap”, on: Yonhap News Agency, January 2, 2011 (Kor.).

2010
Lee, Young-ran, “Artist Haegue Yang holds her solo show at New Museum, NY”, on: The Herald Business, 25 October 25, 2010 (Kor.).
“Haegue Yang: “Voice Over Three”, on: art-it.asia, October 18, 2010 (Jap.).
Han, Yunjeong, “The subjectivity that the life as a stranger bears”, on: The Kyunghyang Daily News, September 16, 2010 (Kor.).
Hwang, Hee-kyung, “Haegue Yang: ‘Aunty Venice’ in Seoul”, on: Yonhap News Agency, August 20, 2010 (Kor.).
Rawlings, Ashley, “Voice Over Three: Haegue Yang”, on: artasiapacific.com, November/Decmber 2010.
Yoo, Sangwoo, “Showing the very Haegue Yang: Voice Over Three”, on: NEWSIS, August 20, 2010 (Kor.).
Weiland, Florian, “Schwer zu fassen”, on: Artline, June 26, 2010.
Amdam, Peter, “Mot en mindre gemetri”, on: kunstkritikk.no, May 28, 2010.

2009
Mizota, Sharon, “Haegue Yang”, on: artforum.com, July 31, 2008.
“Haegue Yang, Siblings and Twins: Portikus Frankfurt”, on: artsite.tv, May 2008.
Bonacina, Andrew, “Lethal Love”, on: afterall.org, April 15, 2008.

2007
Menezes, Caroline, “Artists imagine action to stimulate change”, on: studio-international.co.uk, October 12, 2007.

2004
Sirmans, Franklin, “The Busan Biennale 2004”, on: artnet.com, 2004.
Coubetergues, Philippe, “Subtiles élégances”, on: paris-art.com, July 2004.

 

Broadcast  (chronological)

“Metropolis”, on: ARTE, June 20, 2013.
Shin, Jiyoung, “Woman artists invited from overseas”, on: MBC broadcast News Desk, June 15, 2013 (Kor.).
“Die Künstler Gates und Yang im Porträt”, on: zdf.de, June 8, 2012.
Lee, Kyunah, “I won’t give an easy answer… Artist Haegue Yang”, on: YTN, August 30, 2011 (Kor).
“A new star, the homeless artist Haegue Yang is back”, on: MBC News, September 27, 2010 (Kor.).
Choo, Jiyeon, “In her memories, I confront ‘myself’”, on: STV, September 7, 2010 (Kor.).
“Haegue Yang: Voice Over Three”, on: MBC News, August 27, 2010 (Kor.).
“Contemporaries seen from a nomad’s eye”, on: SBS News, August 20, 2010 (Kor.).
Biennale Venedig, on: Stillbruch, rbb, June 11, 2009.
Lucie Herrmann, “Haegue Yang: Kasse, Shop, Kino und Weiteres”, on: hr-online.de, October 11, 2005.


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