Pine's Eye
February 29, 2020 – November 14, 2020
Talbot Rice Gallery, Edinburgh, Scotland
Installation view of Pine's Eye, Talbot Rice Gallery, Edinburgh, Scotland, 2020
Photo: Sally Jubb
Installation view of Pine's Eye, Talbot Rice Gallery, Edinburgh, Scotland, 2020
Video: STROMA Films
Press Release
Pine’s Eye explores what it means to be human in times of ecological change. Taking its name from 'Pinocchio' (the Italian for ‘pine eye’ or ‘kernel’) it is necessarily tricky and mischievous as it weaves a journey between subjectivities entangled in the natural world. Rejecting progress, purity, standardisation and originality it: creates new forms of ritual, reframes modernism as a pagan pursuit, asks flowers to bear witness to global treaties, observes the hybrid human and botanical cultures of enchanted islands, introduces inexplicable phenomenon into representations of early modern history, cultivates the weeds of European cities as a form of resistance, imagines alternatives to colonialism and introduces indigenous tales of the forest.
Through masks, mannequins and magic, Pine’s Eye offers alternative perspectives for how we understand ourselves in the face of environmental crisis. Including contemporary artists from both indigenous groups and the international artworld it features.
Haegue Yang presents an ensemble of sculptures from The Intermediates series on top of a nonagon shaped floor graphic with a new sound element synthesising her own voice, blending ideas of modernity, estrangement, pagan traditions and folk cultures to unsettle familiar hierarchies.
Exhibited works