Trustworthies
2010 -

 

Cornish Healing Catch – Trustworthy #403
2020

Various security envelopes, graph paper, sandpaper, laser prints, self-adhesive holographic vinyl film on alu-dibond, framed

4 parts, 57.2 x 57.2 cm; 36.2 x 36.2 cm

Courtesy of the artist

Photo: Studio Haegue Yang

 

Fluidity on Nonagonal Crystal Matrix – Trustworthy #400
2020

Various security envelopes, graph paper, sandpaper, laser prints, self-adhesive holographic vinyl film on alu-dibond, framed

2 parts, 86.2 x 86.2 cm; 43.2 x 43.2 cm

Courtesy of Galerie Chantal Crousel, Paris

Photo: Nick Ash

 

Drone Swarm in Knots – Trustworthy #372
2018

Various security envelopes, graph paper, laser prints, self-adhesive holographic and reflective vinyl film on cardboard, framed, self-adhesive holographic vinyl film

57.2 x 57.2 cm

Courtesy of Galerie Barbara Wien, Berlin

Installation view of Galerie Barbara Wien booth, frieze London, 2018
Photo: Andy Keate

 

Crystalline Hovering and Projecting – Trustworthy #361
2018

Various security envelopes, graph paper, laser prints, and self-adhesive holographic and reflective vinyl film on cardboard, framed, self-adhesive holographic and HP latex printed vinyl film

4 parts, 57.2 x 57.2 cm; 29.2 x 29.2 cm

Courtesy of kurimanzutto, Mexico City / New York

Installation view of FURLA SERIES #02, Haegue Yang: Tightrope Walking and Its Wordless Shadow, La Triennale di Milano, Italy, 2018
Photo: Masiar Pasquali

 

Voltaic Montane – Trustworthy #359
2018

Various security envelopes, graph paper, sandpaper, laser prints, and self-adhesive holographic and reflective vinyl film on cardboard, framed, self-adhesive holographic and HP latex printed vinyl film, paint

7 parts, 86.2 x 86.2 cm; 57.2 x 57.2 cm; 36.2 x 36.2 cm; 29.2 x 29.2 cm

Courtesy of Kukje Gallery, Seoul

Installation view of FURLA SERIES #02, Haegue Yang: Tightrope Walking and Its Wordless Shadow, La Triennale di Milano, Italy, 2018
Photo: Masiar Pasquali

 

Interlaced Aerodynamic Gaze – Trustworthy #358
2018

Various security envelopes, graph paper, laser prints, and self-adhesive holographic and reflective vinyl film on cardboard, framed, self-adhesive holographic and HP latex printed vinyl film

2 parts, 57.2 x 57.2 cm; 36.2 x 36.2 cm

Courtesy of Kukje Gallery, Seoul

Installation view of FURLA SERIES #02, Haegue Yang: Tightrope Walking and Its Wordless Shadow, La Triennale di Milano, Italy, 2018
Photo: Masiar Pasquali

 

Prosthetic Locomotion – Trustworthy #357
2018

Various security envelopes, graph paper, laser prints, and self-adhesive holographic and reflective vinyl film on cardboard, framed, self-adhesive holographic and HP latex printed vinyl film

3 parts, 86.2 x 86.2 cm; 29.2 x 29.2 cm

Courtesy of Kukje Gallery, Seoul

Installation view of FURLA SERIES #02, Haegue Yang: Tightrope Walking and Its Wordless Shadow, La Triennale di Milano, Italy, 2018
Photo: Masiar Pasquali

 

Asymmetric Venetian Brows and Drops – Trustworthy #351
2018

Various security envelopes, graph paper, origami paper, and sandpaper on card- board, framed, self-adhesive vinyl film

2 parts; 57.2 x 57.2 cm; 86.2 x 86.2 cm

Courtesy of the artist

Installation view of Haegue Yang: ETA 1994–2018. Wolfgang Hahn Prize, Museum Ludwig, Cologne, 2018
Photo: Studio Haegue Yang

 

Woven Mineral Mountain – Trustworthy #352
2018

Various security envelopes, graph paper, sandpaper, and vinyl film on cardboard, framed, self-adhesive holographic vinyl film

6 parts; 29.2 x 29.2 cm; 57.2 x 57.2 cm

Courtesy of the artist

Installation view of Haegue Yang: ETA 1994–2018. Wolfgang Hahn Prize, Museum Ludwig, Cologne, 2018
Photo: Studio Haegue Yang

 

Installation view of Haegue Yang: ETA 1994–2018. Wolfgang Hahn Prize, Museum Ludwig, Cologne, 2018
Photo: Museum Ludwig, Saša Fuis, Cologne

 

Crescent Solar Eclipse – Trustworthy #346
2018

Sandpaper on cardboard, framed

86.2 x 102.2 cm

Courtesy of kurimanzutto, Mexico City / New York

Photo by Nick Ash, 2018.

 

Solar Tridomino – Trustworthy #340
2018

Various security envelopes, graph paper, origami paper and sandpaper on cardboard, framed

87 x 87 cm

Courtesy of kurimanzutto, Mexico City / New York

Photo by Nick Ash

 

Big-eyed Tongue-tied Mountains beneath Solar and Lunar Orbs – Trustworthy #315
2017

Various security envelopes, graph paper, origami paper, and sandpaper on cardboard, framed, self-adhesive vinyl film

11 parts, 86.2 x 86.2 cm; 57.2 x 57.2 cm; 29.2 x 29.2 cm

Courtesy of kurimanzutto, Mexico City / New York

Installation view of Ornament and Abstraction, kurimanzutto, Mexico City, Mexico, 2017
Photo: Omar Luis Olguín

 

Mountainous Eyes Shielded in Sunset and Moonrise – Trustworthy #313
2017

Various security envelopes, graph paper, origami paper, and sandpaper on cardboard, framed, self-adhesive vinyl film

13 parts, 86.2 x 86.2 cm; 57.2 x 57.2 cm; 29.2 x 29.2 cm

Courtesy of kurimanzutto, Mexico City / New York

Installation view of Ornament and Abstraction, kurimanzutto, Mexico City, Mexico, 2017
Photo: Omar Luis Olguín

 

Engineered Wildfowl at Lunar Eclipse – Trustworthy #305
2016

Various security envelopes, graph paper, and sandpaper on card- board, framed, self-adhesive vinyl film

7 parts, 102.2 x 102.2 cm; 36.2 x 36.2 cm

Lola and Allen Goldring Collection

Installation view of Kukje Gallery booth, frieze London, 2016
Photo: Sebastiano Pellion di Persano

 

Fiddlehead Stream – Trustworthy #280
2016

Various security envelopes, graph paper, and origami paper on cardboard, framed, self-adhesive vinyl film

5 parts, 72.2 x 72.2 cm; 36.2 x 36.2 cm

Private collection

Installation view of Quasi–Pagan Minimal, Greene Naftali, New York, USA, 2016
Photo: Elisabeth Bernstein


Masked Face – Trustworthy #279
2016

Various security envelopes, graph paper, and origami paper on cardboard, framed, self-adhesive vinyl film

9 parts, 102.2 x 102.2 cm; 72.2 x 72.2 cm; 36.2 x 36.2 cm; 29.2 x 29.2 cm

The Baltimore Museum of Art: Sidney M. Friedberg Acquisitions Endowment for Prints and Drawings, BMA 2016.73

Installation view of Quasi–Pagan Minimal, Greene Naftali, New York, USA, 2016
Photo: Elisabeth Bernstein

 

Hovering Lion Dance – Trustworthy #240
2015

Various security envelopes, graph paper, and origami paper on cardboard, framed, self-adhesive vinyl film

21 parts, 36.2 x 36.2 cm; 72.2 x 72.2 cm; 102.2 x 102.2 cm

Collection of Leo Shih, Taichung

Installation view of Come Shower or Shine, It Is Equally Blissful, Ullens Center for Contemporary Art, Beijing, China, 2015
Photo: Tang Xuan




Installation view of Shooting the Elephant Thinking the Elephant, Leeum, Samsung Museum of Art, Seoul, South Korea, 2015
Photo: ⓒ Leeum, Samsung Museum of Art

 

Trustworthies #211-221
2013

Leeum, Samsung Museum of Art, Seoul

Installation view of Journal of Echomimetic Motions,Bergen Kunsthall, Bergen, Norway, 2013
Photo: Thor Brødreskift

 

Central Composition in Explosion – Trustworthy #184
2012-2013

Various security envelopes and graph paper on cardboard, framed

11 parts, 98.2 x 98.2 cm, 68.2 x 68.2 cm

Private collection, Hong Kong

Installation view of Family of Equivocations, Museé du Strasbourg and l’Aubette, Strasbourg, France
Photo: Mathieu Bertola, Musées de la Ville de Strasbourg

 

Extended Windmill – Trustworthy Off Horizons #132
2012

Various security envelopes and graph paper on cardboard, framed

6 parts, each 102.2 x 72.2 cm

Sassounian Collection, Los Angeles

Installation view of Multi Faith Room, Greene Naftali, New York, USA, 2012
Photo: John Berens

 

Over the Waves and Trails – Trustworthy #87–#104
2011

Various security envelopes and graph paper on cardboard, framed

18 parts, 72.2 x 102.2 cm; 102.2 x 72.2 cm; 102.6 x 142.6 cm

Tiroche DeLeon Collection

Installation view of Berlin 2000-2011: Playing among the Ruins, Museum of Contemporary Art Tokyo, Tokyo, Japan, 2011
Photo: Keizo Kioku

 

Trustworthy Waves #9 -12
2010

Various security envelopes and graph paper on cardboard, framed

Each 102.2 x 72.2 cm

Private Collection, New York
Private Collection, Seoul

Installation view of Voice Over Three, Artsonje Center, Seoul, Korea, 2010
Photo: Sangtae Kim

 

Trustworthy Triple Clowns

2010

Various security envelopes and graph paper on cardboard, framed

3 parts, each 28.1 x 40.1 cm

Courtesy Galerie Barbara Wien, Berlin

 

Trustworthy Wave #1
2010

Various security envelopes and graph paper on cardboard, framed
40.2 x 30.5 cm

Private collection, Berlin

 

Exhibition history

The Cone of Concern, Museum of Contemporary Art and Design (MCAD), Manila, Phillipines, 2020

Strange Attractors, Tate St Ives, St Ives, UK, 2020

Tracing Movement, South London Gallery, London, UK, 2019

Tightrope Walking and Its Wordless Shadow, La Triennale di Milano, Italy, 2018

ETA 1994-2018, Museum Ludwig, Cologne, Germany, 2018

Ornament and Abstraction, kurimanzutto, Mexico City, Mexico, 2017

Come Shower or Shine, It Is Equally Blissful, Ullens Center for Contemporary Art, Beijing, China, 2015

Shooting the Elephant 象 Thinking the Elephant, Leeum, Samsung Museum of Art, Seoul, South Korea, 2015

Follies, Manifold: Gabriel Lester – Haegue Yang, Bonner Kunstverein, Bonn, Germany, 2014

Journal of Echomimetic Motions, Bergen Kunsthall, Bergen, Norway, 2013

Family of Equivocations, Aubette 1928 and Museum of Modern and Contemporary Art, Strasbourg, France, 2013

Multi Faith Room, Greene Naftali, New York, USA, 2012

Two Winters ,presentation with Kukje Gallery at the M Building, Miami, USA, 2011

Arrivals, Kunsthaus Bregenz, Bregenz, Austria, 2011

The Art and Technique of Folding the Land, Aspen Art Museum, Aspen, USA, 2011

Berlin 2000-2011: Playing among the Ruins, Museum of Contemporary Art Tokyo, Tokyo, Japan, 2011

The Sea Wall: Haegue Yang with an Inclusion by Felix Gonzalez-Torres, Arnolfini, Bristol, UK, 2011

Voice Over Three, Artsonje Center, Seoul, South Korea, 2010

Closures, Galerie Barbara Wien, Berlin, Germany, 2010


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