Trustworthies
2010 -


Engineered Wildfowl at Lunar Eclipse – Trustworthy #305
2016

Vinyl film, various envelope security patterns, graph paper, sandpaper, framed

7 pieces, either 102.2 x 102.2 cm or 36.2 x 36.2 cm each

Courtesy of Kukje Gallery, Seoul

Installation view of Kukje Gallery booth, frieze London, 2016
Photo: Sebastiano Pellion di Persano

 

Fiddlehead Stream – Trustworthy #280
2016

Vinyl film, various envelope security patterns, graph paper, origami paper, framed

5 pieces, either 72.2 x 72.2 cm or 36.2 x 36.2 cm each

Courtesy of Greene Naftali, New York

Installation view of Quasi–Pagan Minimal, Greene Naftali, New York, USA, 2016
Photo: Elisabeth Bernstein


Masked Face – Trustworthy #279
2016

Vinyl film, various envelope security patterns, graph paper, origami paper, framed

9 pieces, either 102.2 x 102.2 cm, 72.2 x 72.2 cm, 36.2 x 36.2 cm or 29.2 x 29.2 cm each

Courtesy of Greene Naftali, New York

Installation view of Quasi–Pagan Minimal, Greene Naftali, New York, USA, 2016
Photo: Elisabeth Bernstein


Questioning Long Nose – Trustworthy #278
2016

Vinyl film, various envelope security patterns, graph paper, origami paper, sandpaper, framed

5 pieces, either 102.2 x 102.2 cm, 72.2 x 72.2 cm or 36.2 x 36.2 cm each

Courtesy of Greene Naftali, New York

Installation view of Quasi–Pagan Minimal, Greene Naftali, New York, USA, 2016
Photo: Elisabeth Bernstein


Masked Eyes – Trustworthy #277
2016

Vinyl film, various envelope security patterns, graph paper, origami paper, framed

5 pieces, either 102.2 x 102.2 cm, 72.2 x 72.2 cm or 36.2 x 36.2 cm each

Courtesy of Greene Naftali, New York

Installation view of Quasi–Pagan Minimal, Greene Naftali, New York, USA, 2016
Photo: Elisabeth Bernstein

 

Hovering Lion Dance – Trustworthy #240
2015

Vinyl film, various envelope security patterns, graph paper, origami paper, framed

21 paper collages

920 x 775 cm

Collection of Leo Shih

Installation view of Come Shower or Shine, It Is Equally Blissful, Ullens Center for Contemporary Art, Beijing, China, 2015
Photo: Tang Xuan




Installation view of Shooting the Elephant Thinking the Elephant, Leeum, Samsung Museum of Art, Seoul, South Korea, 2015
Photo: ⓒ Leeum, Samsung Museum of Art




Trustworthies #211-221
2013

Courtesy of the artist

Installation view of Journal of Echomimetic Motions,Bergen Kunsthall, Bergen, Norway, 2013
Photo: Thor Brødreskift


Central Composition in Explosion – Trustworthy #184
2012-2013

Various envelope security patterns, graph paper, framed

11 pieces, either 98.1 x 98.1 or 68.1 x 68.1 cm each

Courtesy of Galerie Chantal Crousel, Paris

Installation view of Family of Equivocations, Museé du Strasbourg and l’Aubette, Strasbourg, France
Photo: Mathieu Bertola, Musées de la Ville de Strasbourg


Extended Windmill – Trustworthy Off Horizons #132
2012

Various envelope security patterns, graph paper, framed

6 paper collages, each 102.1 x 72.1 cm

Courtesy of Greene Naftali, New York

Installation view of Multi Faith Room, Greene Naftali, New York, USA, 2012
Photo: John Berens




Trustworthies

2011

Courtesy of the Tiroche DeLeon Collection & Art Vantage Ltd.

Installation view of Berlin 2000-2011: Playing among the Ruins, Museum of Contemporary Art Tokyo, Tokyo, Japan, 2011
Photo: Keizo Kioku




Trustworthy Waves #9 -12
2010

Each 102.1 x 72.1 cm

Private Collection, Seoul
Private Collection, New York

Installation view of Voice Over Three, Artsonje Center, Seoul, Korea, 2010
Photo: Sangtae Kim




Trustworthy Wave #1, 2
2010

42 x 29.7cm




Trustworthy Square #3, 4
2010

68 x 68 cm




Trustworthy Clown #5, 6, 7
2010

22 x 39 cm




Trustworthy Clown #8
2010

37.5 x 26.5 cm




Trustworthy Wave #9, 10
2010

100 x 70 cm




Trustworthy Wave #11 (tilted to left), 12 (tilted to right)
2010

100 x 70 cm




Trustworthy Refraction #13 (to left), 14 (to right)
2010

100 x 70 cm




Trustworthy Ray #15 (gray), 16 (special patterns)
2010

100 x 70 cm




Trustworthy Mountain #17 (blue)
2010

100 x 70 cm




Trustworthy Wave #18 (bright gray)
2010

100 x 70 cm


Exhibition history

Ornament and Abstraction, kurimanzutto, Mexico City, Mexico, 2017

Come Shower or Shine, It Is Equally Blissful, Ullens Center for Contemporary Art, Beijing, China, 2015

Shooting the Elephant 象 Thinking the Elephant, Leeum, Samsung Museum of Art, Seoul, South Korea, 2015

Follies, Manifold: Gabriel Lester – Haegue Yang, Bonner Kunstverein, Bonn, Germany, 2014

Journal of Echomimetic Motions, Bergen Kunsthall, Bergen, Norway, 2013

Family of Equivocations, Aubette 1928 and Museum of Modern and Contemporary Art, Strasbourg, France, 2013

Multi Faith Room, Greene Naftali, New York, USA, 2012

Two Winters ,presentation with Kukje Gallery at the M Building, Miami, USA, 2011

Arrivals, Kunsthaus Bregenz, Bregenz, Austria, 2011

The Art and Technique of Folding the Land, Aspen Art Museum, Aspen, USA, 2011

Berlin 2000-2011: Playing among the Ruins, Museum of Contemporary Art Tokyo, Tokyo, Japan, 2011

The Sea Wall: Haegue Yang with an Inclusion by Felix Gonzalez-Torres, Arnolfini, Bristol, UK, 2011

Nach Abschluss der Reise, Kunst-Werke, Berlin, Germany, 2011

Voice Over Three, Artsonje Center, Seoul, South Korea, 2010

Closures, Galerie Barbara Wien, Berlin, Germany, 2010


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