Trustworthies

Trustworthies
2010 -

Cornish Healing Catch – Trustworthy #403
2020

Various security envelopes, graph paper, sandpaper, laser prints, self-adhesive holographic vinyl film on alu-dibond, framed

4 parts, 57.2 x 57.2 cm; 36.2 x 36.2 cm

Courtesy of the artist

Photo: Studio Haegue Yang

Fluidity on Nonagonal Crystal Matrix – Trustworthy #400
2020

Various security envelopes, graph paper, sandpaper, laser prints, self-adhesive holographic vinyl film on alu-dibond, framed

2 parts, 86.2 x 86.2 cm; 43.2 x 43.2 cm

Courtesy of Galerie Chantal Crousel, Paris

Photo: Nick Ash

Drone Swarm in Knots – Trustworthy #372
2018

Various security envelopes, graph paper, laser prints, self-adhesive holographic and reflective vinyl film on cardboard, framed, self-adhesive holographic vinyl film

57.2 x 57.2 cm

Courtesy of Galerie Barbara Wien, Berlin

Installation view of Galerie Barbara Wien booth, frieze London, 2018
Photo: Andy Keate

Crystalline Hovering and Projecting – Trustworthy #361
2018

Various security envelopes, graph paper, laser prints, and self-adhesive holographic and reflective vinyl film on cardboard, framed, self-adhesive holographic and HP latex printed vinyl film

4 parts, 57.2 x 57.2 cm; 29.2 x 29.2 cm

Courtesy of kurimanzutto, Mexico City / New York

Installation view of FURLA SERIES #02, Haegue Yang: Tightrope Walking and Its Wordless Shadow, La Triennale di Milano, Italy, 2018
Photo: Masiar Pasquali

Voltaic Montane – Trustworthy #359
2018

Various security envelopes, graph paper, sandpaper, laser prints, and self-adhesive holographic and reflective vinyl film on cardboard, framed, self-adhesive holographic and HP latex printed vinyl film, paint

7 parts, 86.2 x 86.2 cm; 57.2 x 57.2 cm; 36.2 x 36.2 cm; 29.2 x 29.2 cm

Courtesy of Kukje Gallery, Seoul

Installation view of FURLA SERIES #02, Haegue Yang: Tightrope Walking and Its Wordless Shadow, La Triennale di Milano, Italy, 2018
Photo: Masiar Pasquali

Interlaced Aerodynamic Gaze – Trustworthy #358
2018

Various security envelopes, graph paper, laser prints, and self-adhesive holographic and reflective vinyl film on cardboard, framed, self-adhesive holographic and HP latex printed vinyl film

2 parts, 57.2 x 57.2 cm; 36.2 x 36.2 cm

Courtesy of Kukje Gallery, Seoul

Installation view of FURLA SERIES #02, Haegue Yang: Tightrope Walking and Its Wordless Shadow, La Triennale di Milano, Italy, 2018
Photo: Masiar Pasquali

Prosthetic Locomotion – Trustworthy #357
2018

Various security envelopes, graph paper, laser prints, and self-adhesive holographic and reflective vinyl film on cardboard, framed, self-adhesive holographic and HP latex printed vinyl film

3 parts, 86.2 x 86.2 cm; 29.2 x 29.2 cm

Courtesy of Kukje Gallery, Seoul

Installation view of FURLA SERIES #02, Haegue Yang: Tightrope Walking and Its Wordless Shadow, La Triennale di Milano, Italy, 2018
Photo: Masiar Pasquali

Asymmetric Venetian Brows and Drops – Trustworthy #351
2018

Various security envelopes, graph paper, origami paper, and sandpaper on card- board, framed, self-adhesive vinyl film

2 parts; 57.2 x 57.2 cm; 86.2 x 86.2 cm

Courtesy of the artist

Installation view of Haegue Yang: ETA 1994–2018. Wolfgang Hahn Prize, Museum Ludwig, Cologne, 2018
Photo: Studio Haegue Yang

Woven Mineral Mountain – Trustworthy #352
2018

Various security envelopes, graph paper, sandpaper, and vinyl film on cardboard, framed, self-adhesive holographic vinyl film

6 parts; 29.2 x 29.2 cm; 57.2 x 57.2 cm

Courtesy of the artist

Installation view of Haegue Yang: ETA 1994–2018. Wolfgang Hahn Prize, Museum Ludwig, Cologne, 2018
Photo: Studio Haegue Yang

Installation view of Haegue Yang: ETA 1994–2018. Wolfgang Hahn Prize, Museum Ludwig, Cologne, 2018
Photo: Museum Ludwig, Saša Fuis, Cologne

Crescent Solar Eclipse – Trustworthy #346
2018

Sandpaper on cardboard, framed

86.2 x 102.2 cm

Courtesy of kurimanzutto, Mexico City / New York

Photo by Nick Ash, 2018.

Solar Tridomino – Trustworthy #340
2018

Various security envelopes, graph paper, origami paper and sandpaper on cardboard, framed

87 x 87 cm

Courtesy of kurimanzutto, Mexico City / New York

Photo by Nick Ash

Big-eyed Tongue-tied Mountains beneath Solar and Lunar Orbs – Trustworthy #315
2017

Various security envelopes, graph paper, origami paper, and sandpaper on cardboard, framed, self-adhesive vinyl film

11 parts, 86.2 x 86.2 cm; 57.2 x 57.2 cm; 29.2 x 29.2 cm

Courtesy of kurimanzutto, Mexico City / New York

Installation view of Ornament and Abstraction, kurimanzutto, Mexico City, Mexico, 2017
Photo: Omar Luis Olguín

Mountainous Eyes Shielded in Sunset and Moonrise – Trustworthy #313
2017

Various security envelopes, graph paper, origami paper, and sandpaper on cardboard, framed, self-adhesive vinyl film

13 parts, 86.2 x 86.2 cm; 57.2 x 57.2 cm; 29.2 x 29.2 cm

Courtesy of kurimanzutto, Mexico City / New York

Installation view of Ornament and Abstraction, kurimanzutto, Mexico City, Mexico, 2017
Photo: Omar Luis Olguín

Engineered Wildfowl at Lunar Eclipse – Trustworthy #305
2016

Various security envelopes, graph paper, and sandpaper on card- board, framed, self-adhesive vinyl film

7 parts, 102.2 x 102.2 cm; 36.2 x 36.2 cm

Lola and Allen Goldring Collection

Installation view of Kukje Gallery booth, frieze London, 2016
Photo: Sebastiano Pellion di Persano

Fiddlehead Stream – Trustworthy #280
2016

Various security envelopes, graph paper, and origami paper on cardboard, framed, self-adhesive vinyl film

5 parts, 72.2 x 72.2 cm; 36.2 x 36.2 cm

Private collection

Installation view of Quasi–Pagan Minimal, Greene Naftali, New York, USA, 2016
Photo: Elisabeth Bernstein

Masked Face – Trustworthy #279
2016

Various security envelopes, graph paper, and origami paper on cardboard, framed, self-adhesive vinyl film

9 parts, 102.2 x 102.2 cm; 72.2 x 72.2 cm; 36.2 x 36.2 cm; 29.2 x 29.2 cm

The Baltimore Museum of Art: Sidney M. Friedberg Acquisitions Endowment for Prints and Drawings, BMA 2016.73

Installation view of Quasi–Pagan Minimal, Greene Naftali, New York, USA, 2016
Photo: Elisabeth Bernstein

Hovering Lion Dance – Trustworthy #240
2015

Various security envelopes, graph paper, and origami paper on cardboard, framed, self-adhesive vinyl film

21 parts, 36.2 x 36.2 cm; 72.2 x 72.2 cm; 102.2 x 102.2 cm

Collection of Leo Shih, Taichung

Installation view of Come Shower or Shine, It Is Equally Blissful, Ullens Center for Contemporary Art, Beijing, China, 2015
Photo: Tang Xuan

Installation view of Shooting the Elephant 象 Thinking the Elephant, Leeum, Samsung Museum of Art, Seoul, South Korea, 2015
Photo: ⓒ Leeum, Samsung Museum of Art

Trustworthies #211-221
2013

Leeum, Samsung Museum of Art, Seoul

Installation view of Journal of Echomimetic Motions,Bergen Kunsthall, Bergen, Norway, 2013
Photo: Thor Brødreskift

Central Composition in Explosion – Trustworthy #184
2012-2013

Various security envelopes and graph paper on cardboard, framed

11 parts, 98.2 x 98.2 cm, 68.2 x 68.2 cm

Private collection, Hong Kong

Installation view of Family of Equivocations, Museé du Strasbourg and l’Aubette, Strasbourg, France
Photo: Mathieu Bertola, Musées de la Ville de Strasbourg

Extended Windmill – Trustworthy Off Horizons #132
2012

Various security envelopes and graph paper on cardboard, framed

6 parts, each 102.2 x 72.2 cm

Sassounian Collection, Los Angeles

Installation view of Multi Faith Room, Greene Naftali, New York, USA, 2012
Photo: John Berens

Over the Waves and Trails – Trustworthy #87–#104
2011

Various security envelopes and graph paper on cardboard, framed

18 parts, 72.2 x 102.2 cm; 102.2 x 72.2 cm; 102.6 x 142.6 cm

Tiroche DeLeon Collection

Installation view of Berlin 2000-2011: Playing among the Ruins, Museum of Contemporary Art Tokyo, Tokyo, Japan, 2011
Photo: Keizo Kioku

Trustworthy Waves #9 -12
2010

Various security envelopes and graph paper on cardboard, framed

Each 102.2 x 72.2 cm

Private Collection, New York
Private Collection, Seoul

Installation view of Voice Over Three, Artsonje Center, Seoul, Korea, 2010
Photo: Sangtae Kim