Trustworthies
2010 -
Cornish Healing Catch – Trustworthy #403
2020
Various security envelopes, graph paper, sandpaper, laser prints, self-adhesive holographic vinyl film on alu-dibond, framed
4 parts, 57.2 x 57.2 cm; 36.2 x 36.2 cm
Courtesy of the artist
Photo: Studio Haegue Yang
Fluidity on Nonagonal Crystal Matrix – Trustworthy #400
2020
Various security envelopes, graph paper, sandpaper, laser prints, self-adhesive holographic vinyl film on alu-dibond, framed
2 parts, 86.2 x 86.2 cm; 43.2 x 43.2 cm
Courtesy of Galerie Chantal Crousel, Paris
Photo: Nick Ash
Drone Swarm in Knots – Trustworthy #372
2018
Various security envelopes, graph paper, laser prints, self-adhesive holographic and reflective vinyl film on cardboard, framed, self-adhesive holographic vinyl film
57.2 x 57.2 cm
Courtesy of Galerie Barbara Wien, Berlin
Installation view of Galerie Barbara Wien booth, frieze London, 2018
Photo: Andy Keate
Crystalline Hovering and Projecting – Trustworthy #361
2018
Various security envelopes, graph paper, laser prints, and self-adhesive holographic and reflective vinyl film on cardboard, framed, self-adhesive holographic and HP latex printed vinyl film
4 parts, 57.2 x 57.2 cm; 29.2 x 29.2 cm
Courtesy of kurimanzutto, Mexico City / New York
Installation view of FURLA SERIES #02, Haegue Yang: Tightrope Walking and Its Wordless Shadow, La Triennale di Milano, Italy, 2018
Photo: Masiar Pasquali
Voltaic Montane – Trustworthy #359
2018
Various security envelopes, graph paper, sandpaper, laser prints, and self-adhesive holographic and reflective vinyl film on cardboard, framed, self-adhesive holographic and HP latex printed vinyl film, paint
7 parts, 86.2 x 86.2 cm; 57.2 x 57.2 cm; 36.2 x 36.2 cm; 29.2 x 29.2 cm
Courtesy of Kukje Gallery, Seoul
Installation view of FURLA SERIES #02, Haegue Yang: Tightrope Walking and Its Wordless Shadow, La Triennale di Milano, Italy, 2018
Photo: Masiar Pasquali
Interlaced Aerodynamic Gaze – Trustworthy #358
2018
Various security envelopes, graph paper, laser prints, and self-adhesive holographic and reflective vinyl film on cardboard, framed, self-adhesive holographic and HP latex printed vinyl film
2 parts, 57.2 x 57.2 cm; 36.2 x 36.2 cm
Courtesy of Kukje Gallery, Seoul
Installation view of FURLA SERIES #02, Haegue Yang: Tightrope Walking and Its Wordless Shadow, La Triennale di Milano, Italy, 2018
Photo: Masiar Pasquali
Prosthetic Locomotion – Trustworthy #357
2018
Various security envelopes, graph paper, laser prints, and self-adhesive holographic and reflective vinyl film on cardboard, framed, self-adhesive holographic and HP latex printed vinyl film
3 parts, 86.2 x 86.2 cm; 29.2 x 29.2 cm
Courtesy of Kukje Gallery, Seoul
Installation view of FURLA SERIES #02, Haegue Yang: Tightrope Walking and Its Wordless Shadow, La Triennale di Milano, Italy, 2018
Photo: Masiar Pasquali
Asymmetric Venetian Brows and Drops – Trustworthy #351
2018
Various security envelopes, graph paper, origami paper, and sandpaper on card- board, framed, self-adhesive vinyl film
2 parts; 57.2 x 57.2 cm; 86.2 x 86.2 cm
Courtesy of the artist
Installation view of Haegue Yang: ETA 1994–2018. Wolfgang Hahn Prize, Museum Ludwig, Cologne, 2018
Photo: Studio Haegue Yang
Woven Mineral Mountain – Trustworthy #352
2018
Various security envelopes, graph paper, sandpaper, and vinyl film on cardboard, framed, self-adhesive holographic vinyl film
6 parts; 29.2 x 29.2 cm; 57.2 x 57.2 cm
Courtesy of the artist
Installation view of Haegue Yang: ETA 1994–2018. Wolfgang Hahn Prize, Museum Ludwig, Cologne, 2018
Photo: Studio Haegue Yang
Installation view of Haegue Yang: ETA 1994–2018. Wolfgang Hahn Prize, Museum Ludwig, Cologne, 2018
Photo: Museum Ludwig, Saša Fuis, Cologne
Crescent Solar Eclipse – Trustworthy #346
2018
Sandpaper on cardboard, framed
86.2 x 102.2 cm
Courtesy of kurimanzutto, Mexico City / New York
Photo by Nick Ash, 2018.
Solar Tridomino – Trustworthy #340
2018
Various security envelopes, graph paper, origami paper and sandpaper on cardboard, framed
87 x 87 cm
Courtesy of kurimanzutto, Mexico City / New York
Photo by Nick Ash
Big-eyed Tongue-tied Mountains beneath Solar and Lunar Orbs – Trustworthy #315
2017
Various security envelopes, graph paper, origami paper, and sandpaper on cardboard, framed, self-adhesive vinyl film
11 parts, 86.2 x 86.2 cm; 57.2 x 57.2 cm; 29.2 x 29.2 cm
Courtesy of kurimanzutto, Mexico City / New York
Installation view of Ornament and Abstraction, kurimanzutto, Mexico City, Mexico, 2017
Photo: Omar Luis Olguín
Mountainous Eyes Shielded in Sunset and Moonrise – Trustworthy #313
2017
Various security envelopes, graph paper, origami paper, and sandpaper on cardboard, framed, self-adhesive vinyl film
13 parts, 86.2 x 86.2 cm; 57.2 x 57.2 cm; 29.2 x 29.2 cm
Courtesy of kurimanzutto, Mexico City / New York
Installation view of Ornament and Abstraction, kurimanzutto, Mexico City, Mexico, 2017
Photo: Omar Luis Olguín
Engineered Wildfowl at Lunar Eclipse – Trustworthy #305
2016
Various security envelopes, graph paper, and sandpaper on card- board, framed, self-adhesive vinyl film
7 parts, 102.2 x 102.2 cm; 36.2 x 36.2 cm
Lola and Allen Goldring Collection
Installation view of Kukje Gallery booth, frieze London, 2016
Photo: Sebastiano Pellion di Persano
Fiddlehead Stream – Trustworthy #280
2016
Various security envelopes, graph paper, and origami paper on cardboard, framed, self-adhesive vinyl film
5 parts, 72.2 x 72.2 cm; 36.2 x 36.2 cm
Private collection
Installation view of Quasi–Pagan Minimal, Greene Naftali, New York, USA, 2016
Photo: Elisabeth Bernstein
Masked Face – Trustworthy #279
2016
Various security envelopes, graph paper, and origami paper on cardboard, framed, self-adhesive vinyl film
9 parts, 102.2 x 102.2 cm; 72.2 x 72.2 cm; 36.2 x 36.2 cm; 29.2 x 29.2 cm
The Baltimore Museum of Art: Sidney M. Friedberg Acquisitions Endowment for Prints and Drawings, BMA 2016.73
Installation view of Quasi–Pagan Minimal, Greene Naftali, New York, USA, 2016
Photo: Elisabeth Bernstein
Hovering Lion Dance – Trustworthy #240
2015
Various security envelopes, graph paper, and origami paper on cardboard, framed, self-adhesive vinyl film
21 parts, 36.2 x 36.2 cm; 72.2 x 72.2 cm; 102.2 x 102.2 cm
Collection of Leo Shih, Taichung
Installation view of Come Shower or Shine, It Is Equally Blissful, Ullens Center for Contemporary Art, Beijing, China, 2015
Photo: Tang Xuan
Installation view of Shooting the Elephant 象 Thinking the Elephant, Leeum, Samsung Museum of Art, Seoul, South Korea, 2015
Photo: ⓒ Leeum, Samsung Museum of Art
Trustworthies #211-221
2013
Leeum, Samsung Museum of Art, Seoul
Installation view of Journal of Echomimetic Motions,Bergen Kunsthall, Bergen, Norway, 2013
Photo: Thor Brødreskift
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Central Composition in Explosion – Trustworthy #184
2012-2013
Various security envelopes and graph paper on cardboard, framed
11 parts, 98.2 x 98.2 cm, 68.2 x 68.2 cm
Private collection, Hong Kong
Installation view of Family of Equivocations, Museé du Strasbourg and l’Aubette, Strasbourg, France
Photo: Mathieu Bertola, Musées de la Ville de Strasbourg
Extended Windmill – Trustworthy Off Horizons #132
2012
Various security envelopes and graph paper on cardboard, framed
6 parts, each 102.2 x 72.2 cm
Sassounian Collection, Los Angeles
Installation view of Multi Faith Room, Greene Naftali, New York, USA, 2012
Photo: John Berens
Over the Waves and Trails – Trustworthy #87–#104
2011
Various security envelopes and graph paper on cardboard, framed
18 parts, 72.2 x 102.2 cm; 102.2 x 72.2 cm; 102.6 x 142.6 cm
Tiroche DeLeon Collection
Installation view of Berlin 2000-2011: Playing among the Ruins, Museum of Contemporary Art Tokyo, Tokyo, Japan, 2011
Photo: Keizo Kioku
Trustworthy Waves #9 -12
2010
Various security envelopes and graph paper on cardboard, framed
Each 102.2 x 72.2 cm
Private Collection, New York
Private Collection, Seoul
Installation view of Voice Over Three, Artsonje Center, Seoul, Korea, 2010
Photo: Sangtae Kim
Trustworthy Triple Clowns
2010
Various security envelopes and graph paper on cardboard, framed
3 parts, each 28.1 x 40.1 cm
Courtesy Galerie Barbara Wien, Berlin
Trustworthy Wave #1
2010
Various security envelopes and graph paper on cardboard, framed
40.2 x 30.5 cm
Private collection, Berlin
Exhibition history
The Cone of Concern, Museum of Contemporary Art and Design (MCAD), Manila, Phillipines, 2020
Strange Attractors, Tate St Ives, St Ives, UK, 2020
Tracing Movement, South London Gallery, London, UK, 2019
Tightrope Walking and Its Wordless Shadow, La Triennale di Milano, Italy, 2018
ETA 1994-2018, Museum Ludwig, Cologne, Germany, 2018
Ornament and Abstraction, kurimanzutto, Mexico City, Mexico, 2017
Come Shower or Shine, It Is Equally Blissful, Ullens Center for Contemporary Art, Beijing, China, 2015
Shooting the Elephant 象 Thinking the Elephant, Leeum, Samsung Museum of Art, Seoul, South Korea, 2015
Follies, Manifold: Gabriel Lester – Haegue Yang, Bonner Kunstverein, Bonn, Germany, 2014
Journal of Echomimetic Motions, Bergen Kunsthall, Bergen, Norway, 2013
Family of Equivocations, Aubette 1928 and Museum of Modern and Contemporary Art, Strasbourg, France, 2013
Multi Faith Room, Greene Naftali, New York, USA, 2012
Two Winters ,presentation with Kukje Gallery at the M Building, Miami, USA, 2011
Arrivals, Kunsthaus Bregenz, Bregenz, Austria, 2011
The Art and Technique of Folding the Land, Aspen Art Museum, Aspen, USA, 2011
Berlin 2000-2011: Playing among the Ruins, Museum of Contemporary Art Tokyo, Tokyo, Japan, 2011
The Sea Wall: Haegue Yang with an Inclusion by Felix Gonzalez-Torres, Arnolfini, Bristol, UK, 2011
Voice Over Three, Artsonje Center, Seoul, South Korea, 2010
Closures, Galerie Barbara Wien, Berlin, Germany, 2010
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